Happy Labor Day: A history of working class music


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Happy Labor Day, Rhode Island. Enjoy your day off, and thank a union member that you get them. Here are some of my favorite working class songs to help you celebrate.

While all such lists much start with Dust Bowl Poet Woody Guthrie, the godfather of the modern working class song and a real life folk hero himself, he certainly wasn’t the first one to sing about labor struggles.

That dubious distinction belongs to the early American slaves.

Blues guitarists like Leadbelly took it from there.

And then artists like Johnny Cash took over.

Joan Baez was one of the folk singers to follow in Woodie Guthrie’s footsteps by singing about folk heroes like Joe Hill, most famous for saying, “Don’t mourn. Organize.”

All of a sudden, the working class was a meme in pop music once again.

Reggae legend Bob Marley wrote many songs about the struggles of black people. This one is my favorite.

Once John Lennon shed Paul and Ringo, he joined in too:

But no one since Woodie Guthrie has better portrayed the working class struggle than Bruce Springsteen. This song is called “Factory”

Through the mansions of fear, through the mansions of pain
I see my daddy walking through the factory gate in the rain
Factory takes his hearing, but he understands
He’s just a working, a working a working man

End of the day, factory whistle cries
Men walk through the gates with death in their eyes
And you just better believe boy somebody’s gonna get hurt tonight
It’s the work, the working, just the working life

The eighties, for reasons related to Ronald Reagan, wasn’t the best era for working class anthems, but punk bands kept the tradition alive.

So did country music, and to some extent Hollywood:

Here’s another of my favorite working class songs that come from the stage. “Annie” is one of America’s great examples of anti-government propaganda – the poor kids are mistreated in the public orphanage until Daddy Warbucks comes and rescues the lucky ones. The American dream, indeed.

In the 1990’s rap acts like Public Enemy kept alive the tradition of creating music about the struggles of the poor.

And today, artists like Steve Earle are keeping the tradition alive.

The trouble with political parody


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Guthrie Stache
Guthrie Stache
Profile picture for @GuthriesStache

For such a small state, Rhode Island has a plethora of parody political accounts on Twitter. There’s Fake Anthony Gemma, Fake Brendan Doherty, Fake Gina Raimondo, Fake Ted Nesi, Fake RI GOP, Fake Angel Taveras, Fake Lincoln Chafee, and Rep. Scott Guthrie’s mustache. And those are the ones I could find in two minutes. Thankfully, a great many are defunct, or inactive, especially since their respective actuals have been ushered from spotlight or the account owner grew tired of maintaining the damn thing.

Satire is one of the Internet’s most popular forms of comedy, partly thanks to the Onion, which has hit its stride in recent years. And its popular for political purposes, because its an easy way to make your opponents seem ridiculous to your supporters. It’s a simple way to appeal to an audience you know.

However, most of the parody Twitter accounts I’m seeing aren’t very good. Take the three for the three possible contenders for Democratic nominee for governor. They’re all pretty much there to insult each respective candidates. I’m pretty sure they were set up by the same person; someone who’s confused “being an asshat” for “wit.”

See, satire isn’t effective if it’s simply putting the words of an idiot and jerk in someone’s mouth and then slapping the word “fake” in front of it to shield you from a response. Great political satire works by building a persona that’s based around exaggerated aspects of a person; to the point of absurdism. Saturday Night Live has been doing this well for ages, whether it’s Chevy Chase’s bumbling Gerald Ford, Will Ferrell’s dimwitted George W. Bush, or Fred Armisen/Dwayne Johnson’s Barack Obama. Another example is the Onion’s take on Joe Biden as a Trans-Am driving ladies’ man.

Good satire doesn’t even have to use a real person. Dr. Strangelove utilizes characters like Gen. Jack Ripper and the titular doctor to lambast recognizable figures within the U.S. defense establishment. If those characters had been named Curtis LeMay and Werner von Braun, would the film have been as good? Not likely.

If you’re looking for an example of Twitter parody done right, the one that ran alongside Rahm Emanuel’s campaign for mayor was well done; it featured an over-the-top foul-mouthed Emanuel in a world populated by odd characters and an absurdist story arc that ended with him being sucked into a time vortex.

For something a bit closer to home, I personally recommend @GuthriesStache, the one based around Rep. Guthrie’s mustache. While not incredibly active, it’s a good-natured account that mainly keeps updates on where Guthrie’s (glorious) mustache is and what it’s doing, the state of other political facial hair, and revels in its own existence without attempting to insult the representative. What’s more absurd than a mustache with a Twitter account?

Political comedy can be good a release for people, allowing them to vent the anger they might otherwise feel when the government does something they don’t agree with. But that venting can be an issue as well; people nod sagely that a policy is stupid, but do nothing to resist it. For all the satire of Jon Stewart and Stephen Colbert, they’ve helped make precious little change in America.

Nicolás Zúñiga y Miranda
Nicolás Zúñiga y Miranda

They remind me of a politician in pre-revolutionary Mexico, who perennially challenged Mexico’s dictator Porfirio Díaz. Nicolás Zúñiga y Miranda was an eccentric who belongs to a sort of Mexican clown tradition, after every election (which he lost handily), he proclaimed voter fraud and declared himself president. After locking him up the first time, the Díaz regime eventually realized he was harmless and ignored him. Voting for Zúñiga became a great way for Mexicans to defy the regime without risking their lives. Zúñiga’s value instead was in getting Díaz’s and his successors to fail to recognize serious political challenges until they arrived in the form of Francisco Madero and the eventual Mexican Revolution.

South Providence kids didn’t get to swim this summer


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daveylopespoolAs the summer of 2013 draws to a close, I can’t help but feel a sense of sadness at the way my local government has chosen to treat my children and their peers this season. Summer in a city such as Providence should produce a vibrant and inviting atmosphere for its children and adolescents. The truth is, I can’t remember a time when I’ve witnessed more violent crime and general unrest in South Providence as I have this summer. While temperatures climbed to record levels, our children were offered no relief. When they could have been learning to swim, they baked in the hot sun and tensions flared throughout our neighborhoods.

Providence native, Davey Lopes, has been an inspiration to Rhode Islanders as both a World Series champion baseball player and Major League coach for over 40 years and counting. The Recreation Center, and in particular the pool that bears his name had always been a place where people could come together in peace and enjoy an afternoon, or evening, of fun and relief from the soaring temperatures of a mid-Summers’ day here in South Providence.

As a child, I learned how to swim at Davey Lopes pool. I enjoyed hours and hours of free daily swim. As a teenager, I worked there as a lifeguard and volunteered after hours as a swim team coach, rather than become part of the cycle of violence, drugs and promiscuity that’s so prevalent among our youth. I’m quite certain that the experiences and memories drawn from those days kept my path straight and contributed greatly to the positive and productive person I am today.

However, this year, there was no laughter, no smiles, and no direction provided by the pool that was such an important part of my summers growing up in South Providence. Instead, there’s a neglected, decaying shell, and a City government that, save a few clarion voices, seems more interested in spouting hot air, than providing cool water for their citizens. In a bloated city budget of over $650 million, it astonishes me that city officials cannot allocate .0001%, or roughly $50,000, to repair and revitalize this local treasure. At its most basic level, local government should be a place for people to come together, and not to be left behind as is the case with South Providence.

Despite countless print and online articles, demonstrations, radio broadcasts, television coverage, and a sea of Social media posts clamoring for the pool to be repaired and reopened, the pool stayed silent all summer long. My children found their smiles and their laughter at the Providence Marriott, at Foxwoods, or at other locations outside our neighborhoods. Life does go on, and there are inevitable changes in the landscape of any city. My feeling is that this particular landmark, and the native Son that lent his name to it, deserves more respect and thoughtful consideration.

leahwilliamsMr. Mayor, the people of South Providence have spoken with a clear voice. We want our pool back! Our neighborhoods boast the most culturally diverse segment of our fine city.

The children here are just as worthy of a place to congregate in peace, and summer fun, as the children on the East Side, or Mount Pleasant, or Smith Hill. The songs of their summer laughter are just as sweet as any you will find in the great City of Providence. Please, let this be the last summer that they’re forced to look elsewhere for that place.

– Leah Williams