Rhode Islander Roz Raskin on her recent tour with the Rice Cakes


Deprecated: Function get_magic_quotes_gpc() is deprecated in /hermes/bosnacweb08/bosnacweb08bf/b1577/ipg.rifuturecom/RIFutureNew/wp-includes/formatting.php on line 4387

Deprecated: Function get_magic_quotes_gpc() is deprecated in /hermes/bosnacweb08/bosnacweb08bf/b1577/ipg.rifuturecom/RIFutureNew/wp-includes/formatting.php on line 4387
roz
Kendra Rose Photography

Roz and the Rice Cakes is one of the major up-and-coming bands in the Rhode Island music scene of the past decade. Their plaudits include voted BEST LOCAL BAND by the Providence Phoenix Best of 2010 Reader’s Poll, they were winners of the 2012 WBRU Rock Hunt, winners of Best Female Vocalist by Motif Magazine 2012, and were nominated for Providence Phoenix 2012 Best Local Act and Best Female Vocalist.

Composed of keyboardist and vocalist Roz Raskin, bassist Justin Foster, and drummer Casey Belisle, they have a sound that is reminiscent in some ways of the early days of No Doubt, specifically the period when Eric Stefani was still in the band and his younger sister was not the absolute center of attention. But it also has elements not unlike some of the more fluid periods of Dave Matthews Band, a much smoother sound. They write as an artistic statement:

We come together to bring forth new, genre-blasting, rhythmically charged melodies, sounding somewhat like the apocalypse…but having the most fun anyone could ever have doing it. We are constantly manifesting new ideas not only musically, but thinking of ways to engage our awesome listeners.

Raskin recently was nice enough to answer some questions for me regarding their recent national tour. We talked about the open road, events in the news cycle, and plans for the summer.

What was the most interesting part of your tour?
There are a lot of interesting aspects of tour. Meeting new people and bands, seeing old friends, exploring new cities. Every city has a unique music community and each night of tour we get to see a little bit of what music scene is like there first hand.

Any new ideas in terms of where you want to go lyrically or musically come out of visiting different parts of the country?
I think I’m probably way more influenced by the music around me than I even know. There are some truly amazing bands hustling right now, it’s really a great time for the arts in general. People like to say “everything has been done” but I’m not too sure about that.

Do you have any stories of a venue that really impacted how you thought about the rest of the tour, be it funny, moving, or even boring?
I’m very lucky and privileged to say that I have had many great experiences at venues and DIY spaces while touring. One in particular is from this past tour. We played at a venue called Tubecats in Hadley, MA. The space is run by a wonderful person named Van Kolodin who is in a band called WYDEYED. During WYDEYED’s set, they stopped half way through and Van gave a rad speech about how important safe spaces are and how it’s essential for showgoers to look out for each other at shows. If you see something say something kind of thing. I think it’s really progressive and important to combat issues of injustice head on and it was really inspiring to hear that kind of thing at a basement show which in the past had been a typically white male dominated space.

What are your plans in this coming summer regarding performance and recording?
This summer Roz and the Rice Cakes are taking a bit of a show hiatus to write and record a new record. I’ll also we writing and recording my solo music and with my new band HOTT BOYZ (featuring Sarah Greenwell of GYMSHORTS, Kate Jones of the Sugar Honey Iced Tea, and Dylan Block-Harley of Horse-Eyed Men). Definitely excited to have some time to really think and write about this past year of my life and take it what is happening in the world today.

Some of the really classic albums and musicians in American history have come out of periods of political and social excitement, be it Pete Seeger and Woodie Guthrie during the Great Depression or Bob Dylan and Joan Baez during the 1960s. It seems quite obvious that America over the past 5+ years has been in such a period of social unrest. Did you see anything on the road that indicates we could see artists such as the aforementioned ones emerging soon with some really populist protest music? Do you think Providence could be a place to keep an ear out for such music?
I think more so than ever before, my music has personally become very much connected to socio political movements. A lot of the lyrics I have written in the past year or so have explored ideas of the “other”. I also think that the social unrest you speak of has definitely manifested itself in music, DIY, culture. Art and music always reflects the times. I think one of the more positive recent themes I’m seeing is the idea making spaces safe and inclusive. Folks are sick of feeling unsafe, disrespected, and marginalized at shows and there is a very real effort combat that prejudice and discrimination.

kaGh5_patreon_name_and_message