State To Hold Arts Economy Forum Today At Fidelity


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Note to State House leaders who organized a forum on building a better arts economy today: maybe a mutual fund and retirement investment corporation located in the suburbs isn’t the best place to have this conversation.

How about a downtown museum, library or art gallery? Or maybe even the Columbus Theater on Broadway, the poster child in Providence for the potential to expand our arts economy?

Instead, the charrette will be held at Fidelity’s campus in Smithfield. It’s scheduled to run from 4 to 6:30 p.m. – perhaps a more convenient time for bankers to make than artists.

So, the effort isn’t perfect … it’s still a good idea, and I’m glad it’s on state’s radar. If we spent a fraction of the time building up the arts economy as we do complaining about CNBC rankings, we’d probably be able to solve both issues at once!

Issues being discussed include:

  • In what ways can Rhode Island distinguish itself from other states to become a “State of the Arts”?
  • What specific tools can government employ to encourage growth and jobs in the arts sectors?
  • How can non-profit, business, government, and academic institutions work together tomarket, incent, support and grow the arts sector in Rhode Island?

If these topics matter to you, you should show up and have your voice be heard … assuming you can get out of work early enough to get up to Smithfield. If not, drop them off next week when Rhode Island hosts a forum on how to attract more investment bankers to the state at AS220. (just kidding)

Come to the Wooly Fair Town Meeting Tonight

If you have not attended Wooly Fair, you are either a recent transplant or make mediocre decisions. Wooly Fair is an event so unique and so awesome that it literally defies description. Seriously, I can’t count the number of times I’ve spent 10 minutues trying to answer the simple question “What is Wooly Fair?” only to make the questioner even more confused. Now, I just say, “If I can tell you what it is, we’re doing it wrong.”

But now, pretty much everybody who’s ever been to a Wooly Fair has been asking, “What happened to Wooly Fair?”

The truth is that the event got too big for the rag-tag coalition of artists and activist to manage effectively. So in 2012 we chose to focus on reorganizing ourselves to support the growing event.

Now we’re Wooly Town, established 2013, and bigger and better and woolier than ever. And tonight we’re launching work on the 2013 Wooly Town Fair…WOOLY FAIR!!!

Wooly Town Meeting Tonight

At the Wooly Town Meeting tonight in Monohasset Mill the Wooly Town governors, who have been working for a year to get ourselves to this point, will present our plans for the 2013 Wooly Town Fair before holding an moderated, open discussion on the same. Then the various Wooly Town departments will hold a job fair and recruit people to work on various parts of the event.

Your Frymaster is director-nominee for the Wooly Town Deparment of Public Works, aka, the Wooly Works, and we have plans for wicked pissah building and stuff. But the 2013 Wooly Town Fair focuses primarily on electricity – generation, storage and delivery – so Power & Light will undertake an ambitious project to develop stand-alone, 12-volt infrastructure that will let us eliminate extension cords entirely.

Learn (barely any) more at the new Wooly Town website and/or sign up at the Facebook event linked above. And we’ll see you in Wooly Town!

‘Les Mis’: Jean Valjean Is a Friend of Mine

Most reviews of Les Miserables discuss the singing, editing, and acting, disregarding the original text of Victor Hugo.  I write the simple reflections of a former prisoner who read this ex-con tale while sitting in a cell, with only a feint hope of ever being an ex-con at all.

The movie, by the way, is a masterpiece.

To me, the story was always about politics and philosophy, as Hugo wrote this classic in 1862, in the same era as Fyodor Dostoevsky’s Crime and Punishment, where each tale uses individual conflicts to symbolize larger themes for people living under oppressive regimes of inequality.  In Les Miserables, the unlikely hero is Jean Valjean, representing the downtrodden people whose station in life is based on the law of man, not of God, fabricated by the elites in order to maintain their economic superiority.  Inspector Javert represents the government system, lacking in love and unrelenting in his determination to crush Valjean.  The story, I believe, is truly about the journey of Inspector Javert (and the system he represents), even though it is through the eyes of Valjean we view his existence.

When I read this tale, there were many people around me who were imprisoned on something petty, often sentenced to the gills, and occasionally were clearly innocent; similar to Jean Valjean, who served 19 years for stealing a loaf of bread.  It was easier to see America’s systemic issues in an honest light because I wasn’t biased by my own dilemma: I had actually committed a terrible crime and had accepted my sentence.  Furthermore, it wasn’t as though the thousands of prisoners I was forced to eat, play, speak, and live with were chosen by me (there were plenty of wronged people who don’t make it easy to stick up for them).  Anyone who has ever read or seen Jean Paul Sartre’s play, No Exit, recognizes that “hell is other people.”  Yet in my fellow convicts’ eyes I saw all the Jean Valjeans, the desperate and desolate, trapped in a system of control that does not end at the prison gates.  And I experienced the Inspector Javert, up close and personal.

Prisoners, perhaps more than anyone, will confront their own morals and courage in the face of perceived injustice.  There is typically nowhere to turn when confronted by the Javert, the governmental force that imposes its authority.  Like the rebellious youth of Hugo’s novel yearning for freedom, the question becomes how much poverty and pain can the people take?  What is the straw that breaks the camel’s back, and under what banner will resistance come?  Victor Hugo reinforced Valjean’s spine with the loving righteousness of a God that considers all mankind to be equal and worthy of fairness.  Valjean’s resistance to Javert’s tyranny is rooted in a belief that there is a higher power than the laws of man (and France).  At the battlements (the front lines of French civil uprisings), Hugo infused his rebels with the spirit of Communism, a political belief that all citizens are equal members, and all should shoulder the burdens collectively and reap the rewards together.

Unlike the varied choices of free people, there is no retreat for a prisoner choosing to confront injustice and champion Constitutional principles that relate to Search and Seizure, Effective Counsel, Confrontation of Witnesses, Suppression of Evidence, and Cruel & Unusual Punishment.  This is why in the history of American prisons there have typically been only hunger strikes, work strikes, or riots.  When one considers that even a work strike (such as the recent one throughout the prisons of Georgia) can result in a violent backlash from the uncompromising Javert: all of these tools of prisoner resistance bring forth violence and possible death.  Like anyone else who ever sat in a cell observing this Javert, desiring a fair Justice System rather than a blunt instrument of vengeance, I wondered how I could respond in a way that was true to the highest laws.

Prisoners will challenge each other about what they will do when the “shit hits the fan,” and the Goon Squad comes in full riot gear.  We know their work from the dead of night: hearing a cell door get popped open, and the distinct sounds of eight armed men trying to enter a 5’ x 8’ cage to pounce upon one man who had previously transgressed Javert’s law (whether the written or the implied law).  Some of us will risk further retaliation by bringing a complaint in Javert’s court, and try to win a battle of words and concepts.  Others condemn this practice as useless; and if there will be violent repercussions anyway, they argue that one might as well simply utilize violence in the first place.  Even assisting another in their attempts to call out injustice will bring repercussions, which places an additional moral burden upon those of us with added resources.  For some it might be their muscle, community, or education.

I felt knowledge is power, and built on it accordingly.  For different reasons than Valjean, my Buddhist path reinforced my determination to use peaceful means to resist the Javert.  I never was fully convinced, however, that it is the most effective, nor if there was hope of success.  Any student of history knows that violence is the most common tactic of the winners.  For this reason, it is all too hypocritical when the Javerts denounce violence with the use of violence, and rationalize it with an “Ends Justify the Means” philosophy.  I’ve come to believe, like Victor Hugo’s young men at the battlements, that “Success” is not always defined by immediate victory.  Whether historically in Harper’s Ferry, Johannesburg, Tiananmen Square, or this year in Cairo: people are propelled by a sense of duty that, win or lose, life or death, we simply do what is right.

Victor Hugo anticipated Mahatma Gandhi’s principle that the Javert, when forced to confront his own injustice, would turn from the path.  Dr. King and the 1960’s Civil Rights Movement echoed this practice, to lay bare just how brutal, unreasonable, and unrelenting are the tactics of the oppressor.  There, the ends justifying the means was Racism.  And not enough people continued to agree with it to support that form of inequality; at least not as a state-sponsored body of laws.  For Gandhi, it was Colonialism, as the exploitative foreign ruler lacked justification to rule.  For Victor Hugo, it was the Capitalist elite; a wealthy class that supplanted the aristocracy through the blood of the French Revolution.

It is interesting that Hugo’s 19th Century inequality is the one that resonates most clearly today across America.  Despite the growing recognition of the racist ripples that have always pushed the tide of our criminal justice system, most people are versed enough in the current dilemmas of our economic structure (even where they can’t correctly identify all the moving parts).  We are backed into a corner of rich getting richer, outsourcing jobs to where labor is cheapest (and done by businessmen waving the flag while holding political office).  Technology has put people out of work faster than jobs can be created.  Millionaires of the 1% sit in Congress and uphold inequality through such extremes as the Big Bank Bailout, where a trillion dollars flowed to subsidize the criminal and reckless activity of Wall Streeters who simultaneously protest against all government regulation of their activities.  And then there is the Javert.

Inspector Javert tells Jean Valjean he is from the same rabble, the same common stock, born inside a prison himself, “but he is no thief.”  Both characters represent “France,” born of the Revolution and praying to the same God for guidance and support in their actions.  Javert is the law of Man, maintained and executed by men.  Javert today is the prison guard, police officer, prosecutor, judge, and politician.  In America today, Javert often refuses to investigate the elites for criminal activity while devoting all attention, and resources, to the commoner.  Javert, perhaps, does not even see the hypocrisy; conditioned by all the elements of a self-reinforcing system that prays to a God (that “says” whatever any self-appointed interpreter declares), and is educated by the most elite institutions that are funded by this self-replicating system.  But the outsiders, the Valjeans (regardless of formal educations or material success), see truth with increasing clarity.

Javert’s oppression, which he sees as “Justice” for the longest time, poses the problem to those who seek fairness: Reform or Revolution?  When Javert finally sees his own injustice, he then lacks the tools to truly transform into what the People genuinely need.  He becomes a malfunctioning machine that cannot fulfill its mission.

SPOILER ALERT (skip the next sentence if the plot of Les Miserables concerns you):

Javert self-destructs and kills himself in Les Miserables.  Again, as Gandhi taught, the oppressor simply cannot continue.  Nelson Mandela sought to rewrite the tactic by encouraging (some would say “allowing” via Truth and Reconciliation Commissions) the Javert to reform and merge back into a wider society that reaffirms equality and justice.  After nearly two decades of debate, in the front lines of American struggle, I am not firmly in either camp of (a) reforming our economic and/or criminal justice systems (the two have closer links than most believe), or (b) wholesale replacements.  My goals are to unite reformers and revolutionaries in common cause, rather than haggle over the ideal end game, and see what best can come of it.  (Side Note: some see the term “revolution” as requiring violence, but it does not.  It simply means a massive overhaul in the status quo.  Many within the political system have openly discussed a massive overhaul of our criminal justice, economic, electoral, or other systems.  Like the Internet’s impact on global commerce, such changes could be “revolutionary.”)

With age and experience, any story will take on more layers of meaning.  Les Miserables becomes another tale for a former prisoner, and for a father, both perspectives I currently hold.  Having now studied millions, seen thousands, and personally known hundreds of people re-entering society after time spent in prison, I see the Javert can be just as ruthless in modern America than 19th Century France.  Now, however, Jean Valjean would not have had the opportunity to break free of Javert.  With cameras, computers, and databases, people bearing the mark of a conviction are forever branded.  They may succeed as business owners, like Valjean did, or even become elected mayor (if a jurisdiction’s law allows people to truly elect any citizen of their choice) as Valjean was… but it will generally be done only where the person’s criminal past is constantly placed at the forefront.

Javert is adamant that “once a thief, always a thief.”  We hear that philosophy regarding all manner of criminalized behavior, including addiction.  The hypocrisy is most evident when members of the wealthy lawmaking class of citizens do not say the same about their kin.  Some supporters of the Javert will exempt their own, saying they “have a problem” and “need help.”  They do not get them help by calling the police and pushing for prison.  None of them argue that the rehabilitative qualities of a cage are the best option for their own.  High-priced thieves are considered to have had a “moral lapse.”  Yet as these contradictions come to light, more supporters of Javert begin to recognize the path of 19thcentury class-based systems of judgment are illegitimate where lacking the principle of “All Men Are Created Equal” by a higher power than a body of laws.

People who push back against “Once a thief, always a thief” have drafted and advocated for simple laws that allow those millions of Americans to apply for work based on their ability rather than their former problem or moral lapse.  “Ban the Box” is not a specific law, but rather the concept of eliminating the question “Have you ever been convicted of a felony?”  Javert cannot ignore the fact that he deploys police forces where people’s skin tones are darkest, even into the schools, regardless of where the crime actually occurs.  Javert also knows that decisions made by prosecutors, judges, and parole boards are also skewed by race… further magnified along a prisoner’s personal path of being formerly incarcerated.  The evidence of racism in the criminal justice system is overwhelmingly accepted by those who believe it is either too challenging to change, or that the inequality is proper.

Like Jean Valjean, some will overcome Inspector Javert no matter how intense the repression.  Exceptionalism, however, does not make for good social policy that affects so many families and, by extension, communities.  “By hook or by crook” is street slang for Ends justifying the Means.  Many Americans today are faced with violating the law in order to go Straight and Narrow.  Most Americans have no idea about the laws and codes to be obeyed, and yet some will still pass judgment like an Armchair Quarterback who does not know the rules of football.  Many convicted people lie about their past to get an education, an apartment, or a job, just like Jean Valjean.  They violate probations and paroles just to go where the jobs are, or to live where they are accepted.  When “doing the right thing” becomes a crime, it is time to sit down and discuss just what Javert is doing, because there is a good chance that even Inspector Javert does not know.  The very principles of America are at stake.

What Happened to Hollywood East?


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It seemed that just a few years ago the film and television industry was on the rise here in the Ocean State. Underdog, 27Dresses, and Showtime’s Brotherhood series were some of the more notable productions based here in Rhode Island.

The studios liked Rhode Island for a number of reasons. Locations ranged from rural settings, ocean settings, beautiful urban locations and a variety of socio-economic backgrounds from Olneyville to the gilded age mansions of Newport. All of these natural assets could be reached within no more than a forty minute drive in any direction.

Furthermore, the tax credits offered by the state to the motion picture industry were attractive and competitive. They were simple and straightforward: 25% credit on all money spent on a motion picture process in the state. RISD students could put design skills to use. Brown/Trinity Consortium actors could find gigs that paid the rent and tuition and Rhode Island’s economy benefited greatly from the economic stimulus brought by the blossoming industry. The motion picture industry brought well paying jobs and well paid individuals spread that money in many directions: the domino effect of economic prosperity. Restaurants, hotels, real estate, catering, transportation all saw a boost in revenue and volume. Sound studios and cycloramas were built.

There was talk of Rhode Island being “Hollywood East.”

Anne Mulhall of LDI Casting, Rhode Island’s premier casting office for film and television, said that once the film credit was initially instituted, business was booming.

“LDI Casting had to hire staff and we moved to an office on Federal Hill,” she said. “Two and three and four projects at a time! Big Budget Films, TV Series, Indie Films and TV Specials.”

However, in 2009 when the tax credits were capped at $15 million, studios were more than willing to take their business elsewhere; to neighboring states that offered lower minimum spending requirements and no tax credit caps. Prior to the cap, there were multiple major productions occurring at any given time. After the cap the number of film and TV projects dwindled to one or two per year, if that.

Mulhall said

… Although we had never reached that cap, never giving away more than up to maybe $12 million in a banner year (not the norm), it is my belief that the image of a cap was daunting enough for out of state productions and unless they were guaranteed that that would be receiving credit on money spent, they would rather go to another location that LOOKED like Rhode Island, so Massachusetts was the next best thing. … Plus the fact that by this point 42 other states instituted film tax credits. Competition was heavy while at the same time we started to pull out of the race.

So, Rhode Island, a state that had for once been on the forefront of an economic wave, pulled back. Workers who had moved here – union, non-union, homeowners, taxpayers – with families and well paying jobs were out of those jobs and forced to leave the industry or the state. The state that is notorious for being economically reactionary, had been proactive and found a way to foil its own initiative.

Mark Fogarty, President of the Rhode Island Film Collaborative (RIFC: a registered 501(c) 3 organization), stated that an independently commissioned, non-biased study showed that the benefits of an uncapped system far outweighed the risks.

As Fogarty put it:

…the results overwhelmingly showed that film results in money being spent and taxes being collected. The biggest problem is people do not understand the way it works and assume the government is losing out on 25 percent of taxes. The reality is all it means is the person who purchases the tax credit will pay about five percent less taxes. That is five percent in exchange for millions of dollars being spent in the state. It is really a no lose situation.

Fogarty is a native Rhode Islander and founder of EXILE Movies. He wrote and directed the upcoming independent feature film smalltown. With a budget of under $100,000, he shot the majority of the film in nearby MA due to the fact that Massachusetts requires a minimum budget of only $50,000 to qualify for the credit instead of $100,000 that RI now requires. At the time Fogarty was filming, the minimum budget for tax credit qualification in Rhode Island was $300,000. That meant that all the purchases and rentals of materials as well as 80% of on location filming was done in Massachusetts despite his preference to have shot in RI.

Some of the confusion stems from the notion that a tax credit percentage means a reduction in that amount in direct revenue to the state. For example, a 25 percent tax credit on a $1 million budget would result in a loss of t$250,000 worth of tax revenue. That may be closer to the actual case in refunded tax credits. However, Rhode Island uses transferable tax credits. This means a wealthy investor or group can purchase the credit at a reduced rate, thereby dropping their taxes about five percent. This is preferred as a benefit to the state in that the loss of tax revenue due to the the tax credit incentive is well under the total revenue brought to businesses, individuals and, subsequently, tax revenue to the state.

Of course the weight of the ongoing 38 Studios fiasco looms heavily over any decision for lawmakers to take legislative measures to encourage businesses to come to Rhode Island. However, the tax credit laws for motion pictures, while they do encompass video games as part of the “motion picture” definition, guaranteed state loans are exempt from tax credit eligibility. Therefore, 38 Studios and scenarios similar to it would not fall into the same risk category that led to the state’s current legal nightmare and potential taxpayer black hole.

The question Rhode Island must ask itself is “is it too late?” Has Rhode Island just moved on to the next economic band-aid? Casino table games, perhaps? That may be a short term boost. But we can look at other states with strong casino based economies to find out how well that has worked. New Jersey and Nevada both have some of the highest levels of unemployment in the nation. Nevada is actually number one, with over 12 percent unemployment.

Or can the state resurrect a discussion of how to revive a once budding industry, clipped off by a frightened legislature and competitively forward thinking surrounding states? The vast majority of manufacturing is gone in Rhode Island. Barring a few companies still valiantly holding on to making things for sale in this state, manufacturing jobs have left and are not coming back. The motion picture industry was an interesting and promising replacement for the loss of the manufacturing industry and the economic ramifications were similar in statewide benefits.

The interest is still there. The Rhode Island Film Collaborative has a large membership and still hosts a number of strong programs ranging from classes to networking and sponsors productions for filmmakers determined to make films, documentaries, shorts, features, animated films and other motion picture related projects. For anyone interested in meeting and discussing this or any other film based topic (here comes the shameless plug) the annual Rhode Island Film Collaborative’s Black and White Gala is on Saturday, December 8th at 6:30PM at Mixed Magic Theatre in Pawtucket’s Hope Artiste Village. It goes until very late and features food, dancing, libations and many other prizes and surprises. The gala is the collaborative’s biggest fundraiser of the year and, for a nominal twelve dollar admission fee, all are welcome.

No one can argue that Rhode Island needs an economic renaissance. No one can say that a single idea or initiative is the solution. The problems are deep and multifaceted and so must be the solutions. However, the motion picture industry was an excellent boost while it lasted and, with some discussion, could be again.

As Anne Mulhall said:

Personally, I feel that if there are concerns about how the credit negatively affects Rhode Island economy…first, look at how it has BENEFITTED Rhode Island’s economy and small businesses before making any decision and second, change the criteria by which the is credit is offered, not the credit itself. I consider film making a manufacturing industry. If this is true, we are General Motors.

I hope we get to work in our home state again.

Columbus Theatre Revival: This is How We Rebuild RI

Photo by Katie Cielinski

Saturday night I went to the Revival! show, which reopened the Columbus Theatre on Broadway after years of vacancy, finally allowing the Theatre’s years-old  ‘Opening Soon’ marquee to host a far cheerier message: “Sold Out.”

The Columbus was packed and the sets by Brown Bird and The Low Anthem were, unsurprisingly, excellent. And the building, while not yet a finished product, really is a gem.

But the vibe in the Columbus last night seemed to go beyond the excitement produced by a good show. This is an unscientific measure, but from the people I talked to myself and the conversations I overhead and the general ebullience I observed on the faces of the (approximately 1,000?) concert-goers filling the long-abandoned hall, I could tell there was another emotion shared by many throughout the course of the evening—hope. Hope that this humming, spirit-filled theater might be a tool for, and a symbol of, the  revitalization of the neighborhood and the city at large.

Photo by Katie Cielinski

 

“This building comes alive for an event like this,” said Bryan Principe, City Councilman of Ward 13, who seemed to be having this same thought when I spotted him sitting towards the back of the theater with a big grin on his face. “The whole street comes alive. There’s electricity in the air. It’s absolutely a boon for the neighborhood.”

Spending them dollas. Photo by Katie Cielinski

Principe had a good point. I can’t remember when I’ve seen Broadway like it was last night, lined with parked cars as far as the eye could see, the sidewalk bustling with people and the street filled with energy and excitement.

The social and cultural benefits provided by a place like the Columbus–which will soon be regularly hosting concerts, comedy shows, and other community meetings and events–are plain to see. But it’s important to also keep in mind the economic stimulus such spaces have the potential to offer to our city. The energy and the excitement and the crowd that the Columbus drew to Broadway this weekend resulted in an influx of folks simply wanting to be there, in that neighborhood, in our capital city, eating and drinking and talking and spending their money in the community

What I’m saying isn’t novel, of course. In Providence it is not a new idea that the arts can serve as a potent economic engine for the community, and I’m not just talking about WaterFire–just look at the unbelievable work AS220 has done to bring life and vibrancy and beauty to our downtown. Our city’s and our state’s amazing artistic foundation has been one of the pillars of our economy for some time, and as such, it must be one of the central pillars of our economic revitalization. That’s why Mayor Taveras (who gave remarks at Saturday’s opening), was absolutely right when he said, “This building represents what’s best about the City of Providence.”

And it’s why all of us–policymakers and consumers alike–should be prioritizing support for ventures like the Columbus, which epitomize the lesson that collectively, we can bring something empty and forgotten back, and make it work, and make it beautiful again. It might sound crazy, but for those few hours I was in that space, reveling in the rush of reincarnation, it really did all feel possible. We can revitalize, we can rebuild. Let’s keep it up.

Help the RI Food Bank, and Laugh While Doing So


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This Saturday, two of Rhode Island’s best musicians are getting together to raise money for the RI Food Bank.  Bill Harley and Keith Munslow are playing together and celebrating the release of a new CD single: “It’s Not Fair to Me.”

I’ve known Bill and Keith for a long time, and thought they were pretty cool already, but was still startled to attend one of Bill’s concerts years ago when my daughter was 5, and to be surrounded by people singing along to songs I’d never heard.  But I’ve heard them a lot since, and more, and enjoy them all.  The great part is that the lyrics are fun, the music infectious, and the stories hilarious, too.  Also, they both are the best kind of children’s entertainers: the kind that don’t talk down to their audience, and provide plenty of laughs for the rest of the audience, too.

There are two shows, at 11 and 2, at the Lincoln School in Providence.  Tickets are $10 for general admission and $15 for reserved seats. You can buy them online by clicking here or call Kathy Correia at 401-230-1673.

Interview: The Low Anthem on the Columbus Theater


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The Low Anthem are a wonderful folk rock band who tour the globe but call Providence home.  This Saturday they reopen the Columbus Theater on Broadway for the first of what I hope will be many, many shows and communitarian happenings.  (I’m pretty sure the last formal-ish show I saw in there was by Lightning Bolt, perhaps in early 2006.)  It’s wonderful to have the venue back in business. Proceeds from the event go to the ongoing rehabilitation of the theater, and the Providence-based charity Atraves, which fosters economic development, education, and health care in Nicaragua.

David: Why did you guys leave the former pasta sauce factory in Central Falls — where you recorded your last album, Smart Flesh — and take to the Columbus?

Low Anthem: The Pasta Sauce Factory was always going to be short term. I mean, we had to sign a death waiver to get into the place. So when we left there, we started looking for a new studio in town. How it came to be the Columbus is a whirlwind. I wondered one day what was going on in there, as many people probably did, looking at the ominous, unchanging ‘opening soon’ marquee, and my curiosity led me to seek out the theater’s owner, Jon Berberian, who agreed to meet up for a walk-through. That was all it took. Our minds were blown. The Columbus is pure magic.

David: How did this grand re-opening show — finally legitimizing that damned sign — come to pass?
Low Anthem: Tom Weyman, Brown Bird’s manager, reached out about playing a benefit concert with them for Atraves, a local non-profit organization that helps communities in Nicaragua. The timing was perfect. We started planning for a one-off show at the Steelyard, and then it started to look like the theater could pass the fire code. So we asked Jon if it made sense to have it be the grand opening, and he said yes!
David: What are your hopes for the future of the building, and your relationship with it?
Low Anthem: We love and admire Jon Berberian, the theater’s owner, without whom the place would probably be a parking lot. I hope he gets to see a new era for the theater he spent his life protecting. We formed a volunteer group, the Columbus Cooperative, to help Jon see that goal through. It’s amazing, how much the community has embraced the reopening! It feels good to be a part of something as special as this.
David: Are the renovations are essentially complete, or is there more work to be done?

Low Anthem: There’s a lot more work, and it’s ongoing. Jon is taking it step by step. But the building is safe to reopen. Up to an extremely rigid fire code. It was hard to get it to pass the state’s new standards.
David: Tell us more about the charity that’s benefiting from much of the proceeds?
Low Anthem: Atraves is a Providence based non-profit working towards health, education, and development in Nicaragua. You can learn more about it at Atraves.org. There will be a string of volunteers on the case educating people about their cause at the show. They will have Ask Me About Atraves buttons. They will be cool, and informative.
David: What’s that moth machine you guys reference actually all about?

Low Anthem:The moth machine was the dream of Ben Knox Miller, built into physical reality by Ben with our friends Luke Randall, of Saunderstown, RI, and Teke, of Newport. It is a stroboscopic zootrope which, when spun by its quiet motor attached to a big bicycle wheel, makes a ghostly apparition of luna moths take flight, opening up portals to other inspiring dimensions. It’s mesmerizing, beautiful, and a part of our next album.

David: And what’s the band’s plan for the next year or so?
Low Anthem: We’ll be at the Columbus, recording.  After that, we’ll hit the road,  Then, who knows?  Following rainbows.

Labor History Society to Honor URI’s Molloy Tonight

If you believe singer Utah Phillips, the long memory is the most radical notion in this country today. It is in that vein some of us  gather tonight in Providence at the Roger Williams Park Casino to celebrate the 25th Anniversary of the Rhode Island Labor History Society.  For a quarter century Rhode Island’s organizers, trouble-makers, boat-rockers, dissatisfied and disaffected with the status quo have met, sometimes under cover of darkness, to meet and pass along the stories of the heroes of our past.  People like Seth Luther,  Ann “the Red Flame” Burlak , and Rita “the Girl in Green”  Brouillette.  Songs of struggles are song, memorizing the battles at the Woonsocket Rubber Company in 1885 when the Knights of Labor went up against a Knight of St. Gregory, and the 1934 Battle of the Gravestones, when the State Police massacred striking workers, creating the conditions necessary for TF Green’s “Bloodless” Revolution, and the death of Wilma Schesler, martyred in 1974 on a picket line for public sector workers.

Tonight the Society honors its founder, Professor Scott Molloy.  A hero for our times, no strike or rally is complete without a harangue against the injustices of our modern world and the economic royalists and all of their accumulated power from Brother Molloy.  As the invitation from the society reads:

University of Rhode Island Professor Scott Molloy will be honored by the Rhode Island Labor History Society during its 25th annual awards banquet, Aug. 23.

The event, “A Celebration of Labor Day in Rhode Island,” will be held at the Roger Williams Park Casino in Providence. Festivities begin at 5 p.m. Donation is $25 for individuals or $250 for a table of 10.

Molloy is founder of the Rhode Island Labor History Society and was a bus driver, shop steward and business agent for the Transit Union from 1973 to 1984. He has been a URI professor in its Schmidt Labor Research Center since 1986, and he has been education director for the Rhode Island Irish Famine Memorial since 1996. He is the author of Trolley Wars; Irish Titan, Irish Toilers; and All Aboard.

The West Kingston resident, known for his colorful and fiery lectures at URI and before civic and labor groups around the region, was awarded the URI Foundation Teaching Excellence Award in 1995.

In 2004, The Carnegie Foundation for the Advancement of Teaching and the Council for the Advancement and Support of Education chose the West Kingston resident as its Rhode Island Professor of the Year.

Presenters at the event will be:

• Cathy O’Reilly Collette, president of the Rhode Island Labor History Society, retired director of the Women’s Rights Department of the American Federation of State, County and Municipal Employees in Washington, D.C. and former president of the World Women’s Committee of Public Services International, Geneva;

• Tom Cute, bus driver with the Rhode Island Public Transit Authority and vice president of the Amalgamated Transit Union, Division 618;

• Donald Deignan, president of the Rhode Island Irish Famine Memorial;

• Eve Stern, associate professor of history at URI, author of Ballots and Bibles; and

• Patrick T. Conley, retired professor of history at Providence College and president of the Rhode Island Heritage Hall of Fame.

For further information, call Cathy Collette, 315-0535.

 

“…and agreement is sacred.”

Downtown Skater


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After persistent rain this June, the sun finally came out on downtown Providence. A roller-blader takes advantage of the nice weather by practicing in Kennedy Plaza’s melted ice rink across from the Rhode Island Foundation. This weekend is supposed to be warm and sunny.

Post-Script to TEDx PVD


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Several hundred people (including professionals, academics and students) gathered at the Rhode Island School of Design’s Metcalfe Auditorium and witnessed the first-ever TEDx Providence event in the Ocean State on April 15. But at the end of the day, what does it really mean? One day after the historic event, I asked myself that very question and here’s one person’s take on that very question.

HOME TO INTELLIGENT CIVL DIALOGUE CALLING FOR ACTION & KNOWN THE WORLD OVER

Providence (and Rhode Island) is becoming home to a number of events which serve three distinct purposes–

  1. Coalescing positive elements (and by elements I mean people, who have created pockets of positive ecosystems here). Being positive in a place where cynicism has ruled the roost for so many years takes a lot of energy, time and commitment. Positive individuals NEED to have outlets to be around similarly positive people to gain support, recharge their psychic batteries and share their ideas and thoughts on improving our local community, and the world as a whole;
  2. Having events which engage and welcome our student community is extremely important as we look for more of them to stay here upon graduation; and
  3. TEDx Providence is now part of a growing list of exciting events which attract not only locals but which are also attracting individuals from around the world to come to Rhode Island (e.g., A Better World by Design, BIF Summit on Collaborative Innovation, MakerFaireRI, Social Venture Partners-Rhode Island SEEED Summit, our state’s eight film festivals, the Newport Jazz and Folk Festivals, Bryant University’s World Trade Day, etc.) to learn, network and dream big! Why is that important? Engaging with the world means just that, but first starts with welcoming individuals here. Not to sell them on our locale, but rather to show them them the talent that resides here and how we can help them achieve great success with our talent pool (and vice versa); that is the very essence of what engagement means.
Kipp Bradford

ACKNOWLEDGING, HIGHLIGHTING AND LEVERAGING OUR WORLD CLASS TALENT IS ESSENTIAL

If you look at who presented at the inaugural TEDx Providence event…..I mean look at them–their life experiences, professional achievements and the impact they have had on the community….I can assure you of this–any community in the WORLD would love to have these individuals residing and working there. They represent the tip of the iceberg, but what sort of talent resides here! Professors who are great mentors; entrepreneurs who have contributed beyond the launch of their own ventures and work far beyond our borders; new arrivals to the state; new ideas being implemented that other communities around the world can learn from; and artists who exemplify innovation!

So, continue to watch out for such activities right here in your own backyard and get engaged!

Haven Brothers: Legacy of the American Diner Movie


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If you live in Providence, there are certain landmarks you learn about almost immediately. The Superman Building located in the heart of Kennedy Plaza, the statue of Roger Williams overlooking the city from College Hill, and of course, Haven Brothers situated each day next to City Hall.

When the Rhode Island Council for the Humanities (RICH) announced their Grant Awards for 2011; a $5,000 grant was awarded to Southeastern Massachusetts Arts Collaborative (SMARTS) to support the script development phase of a documentary film, being directed by (former venerable Green Party political candidate) Jeff Toste, on the oldest operating American diner on wheels, downtown Providence’s Haven Brothers Diner.

http://www.havenbrothersmovie.com/

Haven Bros. Diner in Downtown Providence

 Correction: An earlier version of this story indicated the movie was being produced by David Bettencourt, which it isn’t. Also, an earlier version listed a fundraiser, which has been canceled.

VP Candidate Talks Politics, Race, Music at RIC Friday


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Party for Socialism and LiberationThere is room at every election for new voices – including the ideas of former communists and those of modern-day socialists.  That’s my premise and I’m sticking to it. Well actually, I’m doing more than that this Friday at a panel discussion I’m facilitating at RI College called “Race, Politics and Music: A Look at Rhode 2 Africa and Election Year 2012,” which includes Yari Osorio, the Candidate of Party for Socialism and Liberation.

The panel is part of “Diversity is a Way of L.I.F.E,” which is a statewide conference that happens annually at RIC “to bring together educators, students, artists and community-based activists.”  My session will run on Friday at 4:00 PM in Alger Hall, and Osorio will speak alongside Jim Vincent, President, NAACP Providence Branch and television host of the Jim Vincent Show; Erik Andrade, a spoken word artist and community/youth activist from New Bedford, MA; Talia Whyte, a Boston-based freelance journalist with over ten years experience reporting on social justice, media and technology; and Marco McWilliams, a RI-based educator, activist, lecturer, and published writer (including here on RIFuture.org) who covers the African Diaspora.

The entire conference kicks off at 11:00 AM, and directly following the conference there will be dinner, a poetry open mic, and performances that are part of Bilingual Poetry Festival I organizing at sites across the state.

Below is more information about the panel; updates will also be posted on www.Rhode2Africa.wordpress.com and on Twitter (follow me @rezaclif). Learn more about the conference here on Facebook or register by clicking here.

***

Rhode 2 Africa: Elect the Arts 2012 (R2A 2012), is a documentary and multimedia project being produced with the primary aim of motivating diverse constituencies to vote in November and engage in political conversations at the local, national, and global level.  The project does this through conversations with emerging and established Black musicians, community members and leaders, political experts and scholars, and media professionals – including those involved in or knowledgeable about alternative parties and platforms and underrepresented issues. The exploration of these topics is based on a very simple principle: there is room at every election to hear and examine new voices and ideas, and this year is no different.

Furthermore, as protesters part of Occupy Wall Street, and break-off movements like Women Occupy and Occupy The Hood have demonstrated, citizens across this country have grown tired of never hearing from the variety of voices making up the “99%.” Still, if you pay attention to major news outlets, you would think that the only people engaged and to be targeted for the November elections are the (now) all-white Republican candidates and their party followers. However, one place in which you can hear alternative voices and views on politics is within the music community. Besides being heads of households, tax-payers, insurance-holders, and voters, there are many performers who play at political events, directly and indirectly endorsing candidates; hip hop artists who “rap” about reform and rebellion; and emerging and established artists who’ve performed at The Whitehouse.  R2A Elect the Arts is about sharing the voices of Black and multicultural musicians engaged in this type of work and providing election 2012 coverage and awareness through conversations on race, politics and music.R2A 2012 is currently in-production, but on Friday, April 13 at 4:00 PM, R2A Creator/Producer, Reza Clifton facilitates a panel discussion called “Race, Politics and Music: A Look at Rhode 2 Africa and Election Year 2012.”  In addition to opening the conversation up to the Diversity is a Way of L.I.F.E. statewide conference at Rhode Island College, Clifton will bring in tech/staff to film the discussion and question and answers for inclusion on the documentary.  Attendees who attend and stay for the session are automatically consenting to be recorded and included in the final project.Facilitator:
Reza Clifton, Award-winning writer, multimedia producer and cultural navigator, Creator/Producer of Rhode 2 AfricaConfirmed Panelists:

  • Yari Osorio, Vice Presidential Candidate of the Party for Socialism and Liberation
  • Jim Vincent, President, NAACP Providence Branch and television host
  • Erik Andrade, spoken word artist and community activist from New Bedford, MA
  • Talia Whyte, Boston-based freelance journalist with over ten years experience reporting on social justice, media and technology
  • Marco McWilliams, RI-based educator, activist, lecturer, and published writer who covers the African Diaspora

***

MORE BIOS:

Reza Corinne Clifton is an award-winning writer, producer, digital storyteller and cultural navigator whose work blends and examines music, identity and global consciousness.  She was acknowledged in 2007 and 2009 with Diversity in the Media awards for multimedia projects that she published or launched on her flagship blog, RezaRitesRi.com – including the first Rhode 2 Africa project, which was a four-part interview series and concert series held in Providence. Clifton has also been recognized for written work and direction as health editor a regional women’s magazine and for leadership as a young professional and community organizer in Providence, RI. In 2011 alone, she was named “Most Musical,” a “Trender,” and “Most Soothing Voice” due to her work sharing music and art in the community and on radio – through WRIU and BSR. She remains an active blogger on VenusSings.com, RI Future.org, Rhode2Africa.wordpress.com and on RightHer (a blog from Women’s Fund of Rhode Island) and she sits on the board of Girls Rock! RI, an organization that uses music to empower girls and women in RI.

Yari Osorio is the 2012 vice-presidential candidate of the Party for Socialism and Liberation; he has been a member of the New York City branch of the PSL since 2006.  Born in Cali, Colombia, Osorio immigrated to the United States at age three with his mother and older brother. He is now a U.S. citizen, but grew up undocumented. The harsh anti-immigrant policies in the United States propelled Osorio to become an ardent advocate for social and economic justice, and for equality. Osorio received a BA degree from John Jay CUNY in Forensic Psychology and later became a New York State certified Emergency Medical Technician.  He is an active anti-war and social justice organizer in New York City, and is a volunteer organizer in the anti-war ANSWER Coalition (Act Now to Stop War and End Racism).

Jim Vincent is the President of the the NAACP-Providence, a position he was elected to in December 2010.  Prior to taking on the role of president, Vincent had spent many years serving the organization as Second Vice President, and serving the community in general through his work doing housing and community development in Rhode Island and Massachusetts. In particular, he has worked since March 1998 as the Manager of Constituent Advocacy for Rhode Island Housing, where he provides outreach and technical assistance to underserved communities among other duties.  Vincent has also served on many boards throughout RI that serve the state’s African American, Cape Verdean, and Hispanic communities, and is a former President of the Urban League of Rhode Island.  He may be best known for his role as the Producer and Host of the award winning, Jim Vincent Show .

Erik Andrade is a spoken word artist and community activist from New Bedford, MA who is featured in Rhode 2 Africa: Elect the Arts 2012.  He works with New Bedford youth through People Acting in Community Endeavor (PACE) YouthBuild New Bedford and as co-facilitator of the organization’s Sustainability, Leadership Development and Social Justice Workshops. Andrade is also a founding member of La Soul Renaissance, a local spoken word and hip hop venue which focuses on social justice issues and spirituality, and of the Overflowing Cup Project – an artist circle that works to encourage, recover and inspire creativity through a collective process. Andrade recently ran for the New Bedford School Committee, hoping to bring the voice of at-risk youth to the committee and to issue a call for systematic reform.

Talia Whyte is a freelance journalist who has reported on issues related to social justice, media and technology for over 10 years.  Her work can be found in the Houston Chronicle, The Progressive, theGrio.com, The Boston Globe, MSNBC, PBS, and Al Jazeera, among many other publications and sites.  She is also a leader within Global Wire Associates, a new media consulting firm that promotes innovative communication for advancing social justice.  Whyte is co-author of “Digital Activism Decoded: The New Mechanics of Change.”

Marco McWilliams is a Pan-Africanist intellectual, published writer, and lecturer whose ideas can currently be read at Voxuion.com and RIfuture.org. McWilliams is also an adult literacy instructor for Amos House and English for Action, two organizations based in Providence, RI. As founder of the Providence Africana Reading Collective, McWilliams is known for his rigorous scholarship on social justice and for creating a “progressive learning community dedicated to the interruption of normative narratives of oppression through a critical examination of the emancipatory thought chronicled in the canons of Africana literature.” He will pursue a Ph.D. beginning in 2013.

Tedx Conference Comes to Providence on April 15

TedxProvidence co-founders, Tino Chow (left) and Peter Haas (right).

Tedx is coming to Providence on April 15. I recently met with one of its co-founders, Peter Haas, to discuss the upcoming event.

What is TEDX?

TEDx is an independently organized TED style event operated under a license from TED.  According to TED:

“TEDx was created in the spirit of TED’s mission, “ideas worth spreading.” The program is designed to give communities, organizations and individuals the opportunity to stimulate dialogue through TED-like experiences at the local level.  At TEDx events, a screening of TEDTalks videos — or a combination of live presenters and TEDTalks videos — sparks deep conversation and connections. TEDx events are fully planned and coordinated independently, on a community-by-community basis.”

What impact will having TEDXProvidence have? What do you hope to achieve by bringing it here?

The first TEDXProvidence event is scheduled for April 15, 2012 and has been sold-out for weeks. Providence already has a few fantastic ideas conferences, such as: Business Innovation Factory’s Summit on Collaboration (now in its 8th season; aka, BIF-8), the Brown and RISD student-led conference on socially conscious design, A Better World by Design (celebrating it’s 5th year in 2012), and the recently sold-out SEEED, a national summit on building and strengthening social enterprise ecosystems and communities; and TEDXProvidence will allow us to explore in depth the great work that is going on, specifically, in this city. TEDxProvidence aims to highlight the fantastic and inspirational stories coming out of Providence. We want to be the local ideas festival for the city, and builds on our city’s reputation as a global leader for being able to coalesce student and professional populations in order to both celebrate and create real change.

Like all of the other conferences previously mentioned, TEDXProvidence plans on serving as a platform for bringing students, academics and professionals from the private and public sectors together.

Please check out our web site, www.tedxprovidence.com. And follow us on Twitter at @TEDxProvidence or through our Twitter hashtag to follow the stream of dialogue coming out of the upcoming conference at #tedxpvd.

Who are the other players involved in TEDXProvidence?

The organizers are myself, Tino Chow, Caroline Mailloux, and Catherine Laine. We have a number of volunteers. We’ve gotten a lot of the support from our community from local food trucks (e.g., Fancheezical, Rocket Fine Streetfood and Mijos Tacos); Twobolt our printing sponsor; Providence Monthly our advertising sponsor; and VideoZ Corporate Film & Video Productions is doing our filming.

How did you get involved in the TED Movement?

I am a TED Senior Fellow, so I have been going to TED for several years on that fellowship. TED fellows have specific projects they are doing to make the world a better place. For example, my senior fellowship project has been training masons how to build earthquake resistant construction in Haiti. To date we’ve trained over 4000 masons.

Farmers’ Market Comes to the Jewelry District


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Rhode Island is home to one of the fastest growing agricultural sectors in the U.S. Its diversity of farmers’ markets throughout the state, urban education programs on farming and nutrition as well as food delivery programs for restaurants makes this the place to be when it comes to growing it…and consuming it locally!

Once considered the Mecca of the jewelery manufacturing and design business worldwide, it’s nice to see the Jewelry District come alive again with biotech, tech and design businesses and, now, this farmer’s market!

The new market starts Tuesday and will be held every Tuesday at 11 a.m. to 2 p.m. through April at the Ship Street Square.

More here:

On Tuesdays starting April 3rd, Farm Fresh Rhode Island is partnering with Brown University to bring a farmers market to Ship Street Square in the Jewelry District. Stop by the Ship Street Farmers Market from 11am-2pm and find: fruits and veggies from local farms including Schartner Farms and Hill Orchards; lunch from the Mama Kim’s food truck; a mid-day pick-me-up from The Coffee Guy; or a treat from Olga’s Cup & Saucer. The market will run 5 Tuesdays from April 3rdthrough May 1st.

Customers may use cash, credit, debit, EBT cards, and WIC Fruit and Vegetable checks at this market. Those wanting to use a credit, debit or EBT card can purchase Fresh Bucks – farmers’ market tokens – at the Farm Fresh RI table. If you have questions about the market please contactsarah@farmfreshri.org.

Ship Street Square is public park located on the corners of Ship Street and Richmond Street. The space is managed and maintained by Brown University and the University welcomes community-oriented programming. If you would like more information or would like to apply for space for events, performances, celebrations, etc, contact Jennifer_Braga@brown.edu.

First Providence Maker Monday Tonight


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AS220 Labs and KippKits are hosting Providence’s first Maker Monday Meet-Up on April 2 from 7pm-10pm. Led by Brown Professor, Kipp Bradford, this is a family-friendly event which helps to turn on the maker switch that lives inside most of us!

Here’s more:

“Get Made Monthly!” Drinks and demos meet-up for Rhode Island Makers who design and build for fun or profit.

Monday, April 2nd
7pm-10pm
Lucie Way, Providence RI
Free!

Featured demo from local open hardware manufacturer, kippkitts, LLC “Making Disco Lights for the Superman building!” using Arduino & xBee, plus Q&A from 7:30pm-8:00pm

Two Great Events Tonight: Pecha Kucha, Concentric


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RI Future's Libby Kimzey presents at a recent Pecha Kucha. (photo by Frank Mullin)

Out of 502 cities around the world that host Pecha Kucha Nights bringing together creatives from all walks of life. Providence Pecha Kucha Night holds the global record for having 36 straight events (one each month) over the past three years–unprecedented!

This also highlights the fact that Providence (and Rhode Island) are home to innovative, creative talent that are not only willing to present, but participate, each month on worldwide stage as part of this movement. Congratulations goes out to Stephanie Gerson (who established Providence Pecha Kucha Night), Michael Gazdacko (who serves as the emcee and coordinator of these events), the Providence Pecha Kucha Night board and all those loyal participants who come out each month to celebrate creativity here. 7:00 p.m.-10:00 p.m. (presentations start promptly at 8:20 p.m.–it’s the official starting time for Pecha Kucha events internationally), at Roots Cafe, 276 Westminster Street, Providence, RI.

http://www.facebook.com/events/254225387995919/

Concentric aims to bring together all parties under the banner of design here in the Ocean State. It’s an informal quarterly get together for people interested in design or who work in design (designers, artists, engineers, architects, faculty, students, etc.). Matt Grigsby (of Ecolect) and his incubator space, Anchor, play host this evening and well over 100 professionals and policy makers are planning on attending. 5:00 p.m.-8:00 p.m. at Anchor, 42 Rice Street in Providence.

Synchronicity at SXSW


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If there is one word I can use to describe my experience so far down at South by Southwest, it would be synchronicity. On at least two occasions, I’ve mentioned people I wanted to see only to see them no more than 12 hours later, and I met a Rhode Islander working at a car company’s vendor booth!

For those that don’t know, I’m down at SXSW to enjoy the tunes and performances of some of my favorite performers and to conduct interviews for Rhode 2 Africa: Elect the Arts 2012 (R2A 2012). But for now, the pictures above show some of the fun I’ve been having with Riders Against the Storm, the Austin-based band (that used to live in RI) that I am interviewing for R2A 2012, other RI friends who are here, and some of the musicians I’ve caught, including Shane Hall, 5th Elament, and Queen Deelah.

If you want to follow other “Reza Rites at SXSW” updates, follow me on Twitter and Facebook @rezaclif. If you are interested in learning more about R2A 2012, visit www.rhode2africa.wordpress.com or follow the link below to donate toward travel, equipment, and staff supports.

Reza Rites and RI Future at SXSW in Austin, TX


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Heard of South by Southwest, but can’t be in Austin yourself? Pop in daily to “Take 5 with Reza Rites” on RIFuture.org for photos and live updates about her adventures at the annual festival – or follow her on Twitter and Facebook @rezaclif. Besides blogging for RI Future, Reza will be recording interviews and footage for an election-year multimedia project being released in June, “Rhode 2 Africa: Elect the Arts 2012.”

PROVIDENCE, RI & AUSTIN, TX – For those who don’t follow me or RI Future on Twitter (and I recommend that you do), you may have missed some pretty cool news: RI Future is going down to South by Southwest in Austin, TX – represented by me, Reza Rites!

Now, for those not quite sure about what SXSW is…

It’s only one of the biggest annual cultural festivals for techies, filmmakers, and musicians! And Reza Rites / RI Future won’t be the only New England folks there. So far I’ve received tips and tweets from peeps and tweeps about artists from Worcester, Providence, and Narragansett (Shane Hall, Soldiers of Life, Joe Fletcher and the Wrong Reasons, Boo City, and 5th Elament to name my current list) – and those are only local / regional folks!

I leave later this afternoon, but to get mentally prepared, I spent the last two weeks talking to representatives from Boo City and ERB about what to expect. To summarize their answers – it’ll be a big party.

So yes, I’ll be taking some of my music and dancing shoes out there because the DJ and music consumer in me can’t be silenced.  But if you know me or have been following my posts here on RIFuture.org, then you know that I view music as more than just gateway to fun. And my participation in SXSW could be no better demonstration than this.

Not only will I be in Austin blogging for RI Future and capturing the “cool,” I’ll also be down there talking about politics and election year 2012. That is because this trip represents the final phase of filming for a a multimedia project I began in October called “Rhode 2 Africa: Elect the Arts 2012” (R2A 2012).

Below is an excerpt about the film/series; for additional information, visit www.Rhode2Africa.wordpress.com or click here to access the information page. To make a donation toward the project to help me with producer and artist travel costs, equipment purchases, or staff supports, click here.

***

Riders Against the Storm (RAS) is a husband-wife hip hop duo who relocated from Providence to Austin, bringing their political and social justice message right with them. They are participating in SXSW and they will be featured in Rhode 2 Africa: Elect The Arts 2012. Prior to moving, RAS participated in R2A Year One. 

ABOUT RHODE 2 AFRICA: ELECT THE ARTS 2012

There is room at every election to hear and examine new voices and ideas. This year is no different. As a matter of fact, as protesters part of Occupy Wall Street, and break-off movements like Women Occupy and Occupy The Hood have demonstrated, citizens across this country have grown tired of never hearing from the variety of voices making up the “99%.” Still, if you pay attention to major news outlets, you would think that the only people who care about the November elections are the all-white Republican candidates and their party followers.

One place in which you can hear alternative voices and views on politics is within the music community. Besides being heads of households, tax-payers, insurance-holders, and voters, there are many performers who play at political events, directly and indirectly endorsing candidates; hip hop artists who “rap” about reform and rebellion; and emerging and established artists who’ve performed at The Whitehouse.

Rhode 2 Africa: Elect the Arts 2012 is about sharing the voices of Black musicians engaged in this type of work. Standing in contrast to the limited news coverage we see daily, R2A will provide election 2012 coverage and awareness through conversations on race, politics and music.  Our goal is to make sure that diverse constituencies are motivated to vote in November and engaged in political conversations at the local, national, and global level.

***

CONTACT INFO

Reza Corinne Clifton:
“Reza Rites / Venus Sings / DJ Reza Wreckage”
rezaclif@gmail.com / 401-217-9680 / singsvenus@gmail.com

www.Rhode2Africa.wordpress.com / www.VenusSings.com /
www.RIFuture.org / www.IsisStorm.com /

Facebook & Twitter @rezaclif

NEXT STEPS

Learn more about R2A 2012 by clicking here and getting more information about the project, which is in-production and scheduled to be broadcast-ready and screening-ready in June, 2012.

Learn more about R2A Year One by clicking here to watch and listen to R2A Year One episodes.

Help fund the project by clicking here to make a donation toward the project to help with producer and artist travel costs, equipment purchases, and staff supports.

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Providence: My Favorite Town

There’s a show tonight at Machines with Magnets that I won’t be going to, but it will be King Hell awesome. I think The Silks are one of the best acts on wheels right now, even though I’m not really a roots music kind of guy.

Based on the advice of my friend Lord Giovanni, we brought The Silks up to the shop to cap off one of those morale-boosting days, and they positively CRUSHED it. It’s not easy to please true-to-life factory types, ultra-genius engineers and, well, me. But they had 100% of the people smiling. The support card tonight includes The Atlantic Thrills, who will rip your face off and gave up a stellar performance at last year’s Wooly Fair.

The wider music scene in PVD also includes The Rice Cakes clever post-pop, The ‘mericans ‘mericana as well as RI Future’s own Alex Moore’s The Invisible Hours psychedelic pop and Reza Clifton‘s soulful hip-hop to name but a few.

Okay, enough with the name-dropping link bait. You get the point.

Next month will mark my 20th anniversary as a Providencean (with a few years as a Bucketeer), and right now is the best it’s been. I realize that RI features some particularly ugly statistics and that some, even many folks are having a tough time. But for me, this is the most satisfying life experience to date.

Why? It’s the cult-chuh!

Compared to What?

Here’s the thing. It’s not like I moved here from South Carolina or the ‘burbs of VA. I’ve lived in Boulder, CO; San Francisco; Burlington, VT and East Jeezum, VT.

There’s obviously a pattern. I’ve always actively sought a liberal or progressive political culture and an active local arts scene. While I didn’t choose to move to Providence, I choose to stay because I really love it here.

It’s fashionable to bash on Rhode Island, and even I was pushed over the edge by my DMV-ing last week. But these negatives quickly fade away when I have so many stimulating and satisfying options from which to choose. When I hear people beef about RI, I really don’t get it. What do you want out of life, people?

Of course, Providence isn’t for everybody, and to each his or her own. I know that one frequent commenter is quite satisfied with the VA ‘burbs, although another person I know is positively hating it down there and can’t wait to come back. I’ve had family reasons to go to South Carolina many times, but I’m hoping I never have to go there again as long as I live.

To each his or her own. Fair enough.

Three One-of-a-Kind Examples of Awesome

If you’ve never been to a show at Machines with Magnets, you have missed a fabulous and unique experience. (GO TONIGHT!) MwM in Pawtucket is a recording studio, an art gallery and a performance space. And all the parts are strong. They’ve recorded both Battles records, local heros Deer Tick and a lot of other highly demanding artists. To call the shows in the gallery/performance space “intimate” does not express the immediacy of the experience. It is at once world-class, entirely approachable and actively supportive of the local scene. Where else can you cite that’s like that?

Wooly Fair, of which I am a part, is head and shoulders above any arts event I’ve ever been to. What makes Wooly so amazing is the complete and utter lack of support from anybody who’s not an artist or creative of some sort. There’s practically no corporate or civic sponsorship, and to date, it’s been almost entirely volunteer-driven. That leaves us free to create what no highly sponsored event can – total madness.

Lastly, Thee Red Fez is my favorite restaurant anywhere. Well, Bazaar in Amsterdam gives it a run for its money. It may be the ultimate expression of Providence-ness. Founded by a (married) couple of punks, it makes eclectic seem boring. The vibe is young and lively, and the menu is constantly changing with a focus on local ingredients. Chef Ed Raposa is a food genius. Breaded, deep-fried kim chee. Quod erat demonstrum. I’ve taken numerous clients there, and one – a true world traveler – paid it the ultimate compliment of photographing the menu and sending it to a friend as part of their ongoing best-menus game called “Where Am I?” None of the three guesses was “Providence”, and the revealed answer was met with complete incredulity.

This posting of some dozen-odd examples only scratches the surface of the outrageously rich cultural life that makes Providence such a great place to live. In conclusion, I like it here.

Cryptic Crossword #1

Welcome to the aggravating world of cryptic crossword puzzles. If you’ve never done one before, they’re like crossword puzzles, but devilishly difficult. (If you didn’t hate me already, you will after you try to solve this!)

Logistics

These puzzles are too difficult to try to solve online. You’re much better off printing the puzzle and working it on paper. That way when you’re thoroughly frustrated, you can toss the paper in the recycling or burn it after drawing me in effigy with green and blue pencils. Click this link to get the full, printable version.

I usually have scrap paper handy to work out the answers. Burn that, too.

About Cryptic Crosswords

Cryptic crosswords originated in Britain, and came to the US largely through The Nation magazines’ Frank W. Lewis, who died in 2010. A code-breaker during WWII and founding member of the NSA, Lewis developed a unique style on which I, poorly, model my own.

Unlike traditional crosswords, cryptic crosswords seek to obscure the answer with a complex clue. Half of the clue defines the answer while the other half expresses the answer cryptically. For example, the clue “Chimneys hold a thousand oddities (6)” would yield the answer “flukes”:

  • (6) indicates the number of letters in the answer
  • Chimneys means “flues”
  • a thousand is abbreviated “k”
  • Flues “hold” k, making “flukes” or oddities.

This type of clue is called a charade. There are several other variations, and I’m particularly partial to anagrams.

At The Nation, Lewis has been succeeded by Cosima K. Coinpott, aka Joshua Kosman and Henri Picciotto. They’ve put together this fine page on how to solve cryptic crosswords. You might want to print that out, too, so you have yet more stuff to burn.

About the RI Future Puzzles

Unlike most cryptic puzzle makers, I theme all my puzzles; it’s my thing. The theme of this first puzzle should be entirely obvious. (Start with 28 across.) Subsequent puzzles may or may not have a Rhode Island theme or a political theme. As I look through my file, I see ones about thunderstorms, household appliances and China. Whatever strikes my fancy…

I’ll attempt to post puzzles on at least a fortnightly basis, including the solution to the previous puzzle with the new one.

Best of luck to all. Please call ahead if you’re planning on stabbing me.


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