New Video Game: the Real Robots of Robot High


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Student Amara Lomba demonstrates The Real Robots of Robot High for reporters at Highlander School in Providence.

Can an online game engage its players and teach healthy relationship skills? The answer, according to Sojourner House, a Rhode Island domestic violence advocacy and resource center, is a resounding “Yes!”

The four-year development process resulted in a game designed for students ages 11 to 14 that has players earn and strategically apply relationship tools—such as communication, status and positive influence—to help solve social problems and build a culture of respect while ending abuse in relationships.

The story of The Real Robots takes place in the hallways of Robot High, the setting for Robot Land’s most popular and controversial reality show, with characters like Jette and Bro, Emo, Napcom, Perfect, and Dish. The school is overwhelmed by drama that is made even worse by an explosive relationship between Jette and Bro, the show’s main cast members. The Real Robots of Robot High leverages a blended learning model of classroom instruction with engaging animation and video games that were designed by students like Rudy Reyes at Highlander Charter School and tested in seven schools and youth programs across the country.

“I helped create my favorite character, Napcom,” Rudy explained. “He has glasses just like me and sometimes deals with drama and rumors in school. I like ‘The Real Robots’ because it’s fun to create and share my own games about my own experiences.”

The game also utilizes an innovative mechanic that few other games have: students can use the game creation tool in The Real Robots to make their own video games about relationship situations and share them in The Real Robots’ secure, moderated social network. There, students can play and comment on each other’s social systems games. This feature of The Real Robots experience is based on research showing that game creation is a powerful way for kids to build systems-thinking skills.

“We are so proud to showcase this fresh approach to teaching violence prevention using cutting-edge technology,” said Vanessa Volz, Sojourner House’s executive director. “The Real Robots positively engages youth where they increasingly spend their free time—on the Internet. We believe that through building more partnerships with Rhode Island schools and afterschool educational programs, our efforts can reduce interpersonal violence among Rhode Island youth.”

The Real Robots teaching modules engage students in both game play and creation and align to the Centers for Disease Control and Prevention’s (CDC’s) National Health Educational Standards, making them a valuable resource for schools. Sojourner House plans to scale The Real Robots through continuing its innovative partnership with E-Line Media. The Real Robots of Robot High will be available in beta until December 31st and released in early 2013. Educators who wish to use Real Robots in their classroom or learning program can join the beta for free by signing up at www.realrobothigh.com.

Want an Efficient Historic Tax Credit? Raise Taxes


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State House Dome from North Main Street
State House Dome from North Main Street
The State House dome from North Main Street. (Photo by Bob Plain)

As the maneuvering in advance of the next legislative session gets into gear, we keep hearing that the state’s historic structures tax credit is to be revived.

To recap: for several years, Rhode Island had a tax credit available for developers who restored historic buildings.  It was essentially a subsidy for 30% of the cost of the project.  In a variety of ways it was a decent program, with low overhead to administer, and the subsidies went to a variety of worthwhile projects, mostly in the cities that need it.  Some of the projects were a bit too gentrifying, and I regret that the credits didn’t come with strings to insure better wages for the people who work on them, but it was, for several years, the most effective affordable housing program in the state.

The downside, though, was big.  Because the program was available to any qualifying project, it was impossible for the state to budget for it.  The credit was much more popular than budget-writers anticipated, and this made not only a big hole in the budget, but an unpredictable one.  When the program was closed in 2008, there were around $300 million of credits outstanding, waiting to be cashed in for lower tax bills.

It made sense at the time to float a bond to make the redemption of the credits a bit more predictable, so the state borrowed to create a trust fund to make payments to the people who held the credits.

However, there is another down side to our tax credits.  When the state gives a $5 million tax credit to some project, the project only receives around $4 million or less.  The rest is shared between some tax credit broker (Michael Corso has become a famous one for his involvement with 38 Studios) and a business or rich person who wants to lower their tax bill.  That is, less than 80% of the face value of the tax credit goes to the public purpose to which the credits are supposed to be devoted, and the other 20% is for a benefit that goes directly to the richest citizens of our state.  Being a perfect example of government overpaying (by a lot) for a service, one might think this the very definition of “government waste,” but somehow the label never seems to be applied there by the fiscal watchdogs.

Contrast this to federal tax credits, where it is usually more than 95% of the credit that goes to the stated purpose.  Federal taxes are higher than Rhode Island taxes, so credits against those tax bills are worth more than credits against a state tax bill.  So one way to increase the efficiency of state tax credits would just be to raise the state business and personal income taxes on the top end by a lot.  Yes, I know, that’s just my little joke, but with the recent “reforms” of the tax rates, prices for state tax credits are going to be even lower than they were in 2008, when they were 80 cents on the dollar or less.

Here’s the bottom line: credits against state taxes are a great way to waste a ton of money and create unpredictable budget costs.  The projects that the tax credit funds are worthwhile, but if they are to be subsidized they should be funded by grants, with a set annual budget and rules to demand that projects pay at least a living wage to their contractors.  As they were constituted, they did useful work, but also served as a giveaway to wealthy insiders who don’t need your tax dollars to live a life of ease.

Columbus Theatre Revival: This is How We Rebuild RI

Photo by Katie Cielinski

Saturday night I went to the Revival! show, which reopened the Columbus Theatre on Broadway after years of vacancy, finally allowing the Theatre’s years-old  ‘Opening Soon’ marquee to host a far cheerier message: “Sold Out.”

The Columbus was packed and the sets by Brown Bird and The Low Anthem were, unsurprisingly, excellent. And the building, while not yet a finished product, really is a gem.

But the vibe in the Columbus last night seemed to go beyond the excitement produced by a good show. This is an unscientific measure, but from the people I talked to myself and the conversations I overhead and the general ebullience I observed on the faces of the (approximately 1,000?) concert-goers filling the long-abandoned hall, I could tell there was another emotion shared by many throughout the course of the evening—hope. Hope that this humming, spirit-filled theater might be a tool for, and a symbol of, the  revitalization of the neighborhood and the city at large.

Photo by Katie Cielinski

 

“This building comes alive for an event like this,” said Bryan Principe, City Councilman of Ward 13, who seemed to be having this same thought when I spotted him sitting towards the back of the theater with a big grin on his face. “The whole street comes alive. There’s electricity in the air. It’s absolutely a boon for the neighborhood.”

Spending them dollas. Photo by Katie Cielinski

Principe had a good point. I can’t remember when I’ve seen Broadway like it was last night, lined with parked cars as far as the eye could see, the sidewalk bustling with people and the street filled with energy and excitement.

The social and cultural benefits provided by a place like the Columbus–which will soon be regularly hosting concerts, comedy shows, and other community meetings and events–are plain to see. But it’s important to also keep in mind the economic stimulus such spaces have the potential to offer to our city. The energy and the excitement and the crowd that the Columbus drew to Broadway this weekend resulted in an influx of folks simply wanting to be there, in that neighborhood, in our capital city, eating and drinking and talking and spending their money in the community

What I’m saying isn’t novel, of course. In Providence it is not a new idea that the arts can serve as a potent economic engine for the community, and I’m not just talking about WaterFire–just look at the unbelievable work AS220 has done to bring life and vibrancy and beauty to our downtown. Our city’s and our state’s amazing artistic foundation has been one of the pillars of our economy for some time, and as such, it must be one of the central pillars of our economic revitalization. That’s why Mayor Taveras (who gave remarks at Saturday’s opening), was absolutely right when he said, “This building represents what’s best about the City of Providence.”

And it’s why all of us–policymakers and consumers alike–should be prioritizing support for ventures like the Columbus, which epitomize the lesson that collectively, we can bring something empty and forgotten back, and make it work, and make it beautiful again. It might sound crazy, but for those few hours I was in that space, reveling in the rush of reincarnation, it really did all feel possible. We can revitalize, we can rebuild. Let’s keep it up.

Progress Report: RI Tops Region in Food Insecurity; Pension Compromise Talk; Roger Williams and Thanksgiving


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URI gave a great effort against Ohio St. on Saturday before falling to the 4th-ranked team in the country. (Photo by Bob Plain)

We’re now the number one state in New England for food insecurity, reports the ProJo this morning. 15 percent of households in the state can’t afford the food it needs. This is a crisis of epic proportions that goes largely unaddressed because the influential class doesn’t tend to know many people that are affected by it.

To that end, kudos to these Providence College students who helped deliver leftover cafeteria food to some of the most needy people in our community.

Scott MacKay, who knows how local politics works as well as any Rhode Islander, suggests its time for the state and labor unions to strike a deal on pension reform … letting the legal system work it out, he argues is potentially very expensive and at the least very risky for taxpayers. Plus, Providence and Mayor Taveras has shown that this is a far better option politically, as well.

Speaking of pension reform, not one of the 17 state legislators who voted against it lost in the election for doing so, reports GoLocal.

And back to RIPR for a moment … Ian Donnis seems irked that I’m still irked that WPRI kept Abel Collins out of a televised debate! Interestingly, I actually think WPRI did Collins an electoral favor by snubbing him – he got more earned media by not being included than he would have had he debated, which wasn’t his strong suit as a candidate in the first place. That said, I don’t think affect on outcome is the standard by which media organizations should determine who should and should not be included in debates. I think it should be based on what potential voters should know about their options … news coverage doesn’t exist for candidates to benefit from, it exists for consumers to learn from.

The Boston Globe reports America owes Thanksgiving to Rhode Island’s own Roger Williams, not the Puritans who are often giving the credit.

Whose at fault for Hostess filing for bankruptcy? Labor, which didn’t agree to an 8 percent pay cut, or the CEO who took a 80 percent pay increase before asking employees to make a sacrifice? Either way, that’s no way to come to the negotiating table.

Anti-Blue Law Spin Is Walmart Propoganda


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Photo courtesy of Slate.com.

Black Friday, America’s annual homage to rampant consumerism, is not only the day after Thanksgiving, it’s also the perfect enemy of the day we give thanks to all the things that really matter in life: family, health and harvest. Conversely, Black Friday celebrates stuff we don’t need, and so often shows just how ugly we can be when trying to obtain it.

And now Black Friday wants to move in on Thanksgiving’s mojo by infringing on the original holiday. Local retailers are complaining that local blue laws won’t allow them to open on the most widely-celebrated and uniquely American of holidays.

The Providence Journal strips the story across the top of A1 this morning, while down page you can, if you look closely, see this headline: Record number in RI seek food assistance. In one of its typically right-skewing online polls, more than 80 percent of respondents say stores should stay closed on Thanksgiving.

RI Public Radio last week let a little astroturfing slide on the subject, calling Paul DeRoche the director of the Rhode Island Retail Federation. In reality, he’s the lone member of that “federation” and is better known as a lobbyist for the Providence Chamber of Commerce.

Ted Nesi inadvertently amplified the poor-Black-Friday narrative with an Executive Suite interview of the owner of longtime local not-quite-as-big box store Benny’s.

And Patch, which broke this non-story locally, didn’t try to hide its bias at all and just turned its coverage into a free ad for Walmart.

Which is what it is.

The retail giant wants more opportunities to sell its junk to consumers, so it sent out a couple press releases and whispered in the ear of some local pro-business groups and just waited for the the media to do it’s thing.

But as the rest of the country is learning that employees at thousands of Walmarts from Washington D.C to Seattle are planning a strike to protest being forced to work on Thanksgiving, the media here is largely simply parroting Walmart’s talking point that Black Friday is being oppressed by anachronistic blue laws.

If anything, as a society, we should be working on ways to extend the Thanksgiving mojo not the Black Friday vibe. One way to do this is to , where Greg Gerritt will be collecting clothes to be shared with those who can’t afford to participate in the Black Friday madness.

John DePetro, Psychic Readings and Catholicism


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The catechism of the Catholic Church is quite clear on the matter of communicating with the dead. On the official Vatican website under the heading “Divination and Magic” is the clear Church teaching on the matter (emphasis mine):

2116 All forms of divination are to be rejected: recourse to Satan or demons, conjuring up the dead or other practices falsely supposed to “unveil” the future. Consulting horoscopes, astrology, palm reading, interpretation of omens and lots, the phenomena of clairvoyance, and recourse to mediums all conceal a desire for power over time, history, and, in the last analysis, other human beings, as well as a wish to conciliate hidden powers. They contradict the honor, respect, and loving fear that we owe to God alone.

Essentially, no Catholic in good standing should avail themselves of a medium, or promote the belief in a medium’s powers.

This is what so surprised me about the November 15th episode of the John DePetro Show featuring psychic medium John Edward. Call me naive but despite whatever differences exist between me and DePetro regarding religion and politics I always thought the radio personality was at least being honest when he maintained to me, his listeners and to frequent guest Bishop Tobin of the Providence Diocese that he was a devout Roman Catholic.

It is, after all, DePetro’s Catholicism that informs his attitudes on things like the State House holiday tree, the Cranston West prayer banner and the Woonsocket cross, among other issues. When I was on the DePetro Show to talk about the death threats made against my niece Jessica Ahlquist in the wake of the judge’s decision on the Cranston West prayer banner, DePetro asked me if Jessica was a witch, or a devil worshiper. These were ridiculous questions, and of course I answered that she wasn’t, but when self-proclaimed psychic John Edward was on his show, professing the ability to talk to the dead, DePetro practically bent over backwards to kiss ass, even though the Catholic Church categorizes psychic mediums alongside witches and devil worshipers as a matter of course.

DePetro says that Edward is “one my favorite guests that we have on the program” and wishes him “much continued success.” DePetro eagerly helped Edward sell his books, his website, and his personal appearances and shows. DePetro seemed genuinely entranced by the success of Edward’s website, which sells the concept of communicating with the dead. DePetro also gushed over the fact that Edward has a book on the New York Times bestseller list, and he joined with the callers to the show at being amazed at Edward’s supposed psychic abilities.

John Edward claims to be psychic, but as has been pointed out everywhere from Wikipedia to South Park, nothing he does hints at any sort of real supernatural power. Instead, it all seems to be based on a technique called cold reading “a series of techniques used by mentalists, psychics, fortune-tellers, and illusionists to determine or express details about another person, often in order to convince them that the reader knows much more about a subject than they actually do.” On South Park Edward is awarded the title of the biggest douche in the universe, and the episode contains the following bit of dialog between Stan and John Edward.

John Edwards:
But I’m a psychic.

Stan:
No dude, you’re a douche.

John Edwards:
I’m not a douche. What if I really believe dead people talk to me?

Stan:
Then you’re a stupid douche.

On the John DePetro Show in question Edward performed no better and actually quite a bit worse than a stage magician might have using techniques that are not the least bit supernatural in nature. In the following transcript, Edward communicates with Christine:

Edward: Hi Christine.

Christine: Hi how are ya?

Edward: Good. Are you Christine Marie?

Here Edward makes his first psychic guess, and he’s flat out wrong.

Christine: No.

Edward: Who’s the “M” name connected to you Christine?

Christine: Um…I don’t know. (nervous laughter)

Edward: Is it somebody living connected to you with an “M”?

Christine: I’m trying to think… No nothing that I know of…

Getting nowhere, Edward abandons that line of inquiry for a moment.

Edward: Okay. Keep going. What was your question?

Christine: Uh, I was just- my father passed away and I just wanted to know if he was happy and if he was with his dog and my grandmother who passed away who I lived with a long time ago. I always felt that I didn’t do enough for her when I was with her and I’ve always had regrets about that.

Edward: Um, I have to tell you I’m seeing a huge “M” connected to you.

Christine: M? Well, my last name begins with M.

Edward: Oh. So you’re Christine M.

Christine: Yes.

Circling back, Edward suddenly gets a hit. But think back a few seconds ago. Edward asked about an “M” name connected to Christine, who of course was thinking about someone other than herself. When Christine reveals that her last name begins with M, Edward can retroactively claim that this is what he was going for all the time. I should also point out here that Christine is dealing with quite a bit of guilt about the way she treated her grandmother and worry about the fate of her grandfather. Edward seems less interested in comforting Christine than he does in scoring a “hit.”

Edward: Okay. Because they’re telling me to put an M next to you and I’m like I thought that your middle name was with the M. Um, I do believe that your dad is totally with family and our fur pawed friends are definitely family specifically in my frame of reference. And somebody has a heart problem and they passed one, two, three, correct?

This is Edward talking fast, retrofitting information to his guesses, pausing briefly to provide false comfort to a bereaved woman with tales of her father living in the afterlife with a favorite pet, and then jumping to heart disease, the most common way for older males to die.

Christine: Uh, well yeah. Well, my dad kind of passed kind of like unexpectedly but you know through bad circumstances.

Christine does not confirm that her father died of heart disease. Just that he died “through bad circumstances” which sounds like it might be due to accident or crime rather than disease. Either way, Edward does not press the point. He moves off the “dad had a heart attack” idea and onto another deceased relative, or someone close to Christine and her father, who might have died that way.

Edward: Well, here’s what I’m seeing and you know I have a limited amount of time. I know that there’s somebody that’s with your dad, or with you, that passed from a sudden heart attack there was no pre-existing kind of clue  that this was happening

Christine: Mm-hm

Edward: And they’re coming through with your dad and around you. All righty?

Christine: Okay.

And that’s it. Hell of a psychic reading, isn’t it? Christine provided no confirmation about anything Edward said. What did Christine learn from this encounter? That her dad was in heaven with his favorite pet and that he knew someone up there who died of heart disease, the most common way for men to die. Since she offered up the idea that her father might be in heaven with his pet, all Edward did was agree with her. She learned exactly nothing, unless you count the fact that her last name began with the letter “M.”

Here’s the last caller of the morning, Kevin. Every guess Edward made in this encounter was wrong or went nowhere. It is hard to imagine a less impressive display of psychic ability:

Edward: I heard, I saw, in my head, somebody who drove a truck for a living. So, I don’t know if somebody actually worked in the trucking industry or transportation, but I was supposed to talk about someone’s truck or somebody driving in their truck for a living. Did somebody do that?

Kevin: My father was a fireman.

Edward: So he drove the firetruck?

Kevin: He was involved with the truck. Absolutely.

Edward: Is there something that you were doing this week, a lot of times they’ll talk about current affairs or current events around but is there something that you were doing that’s like talking about that talking about his involvement with that talking about, maybe looking at the photos or things of that nature?

Kevin: Uh, not really. I think about him all the time.

Edward: And why am I seeing 1986, 1987, what took place around then in the family?

Kevin: Um…

Edward: It’s got to be after 1985 and before 1989, I’ll tell you why, I started owing this work in 1985 and my mom passed in 1989 and I feel like it’s in between that period of time that I’m supposed to highlight something. But I feel that your dad would be the one. Is he the one connected to the truck, your dad is the one that I was sensing but there’s something about that time period that I want to highlight for you.

Kevin: uh… My brother passed away in 1996…

Edward: Nope. Too late it’s got to be before that. It’s got to be after 1985

Kevin: I moved from New York to Rhode Island in ’84, but that’s before ’85.

Edward: Nope. I think it’s right after that.

Kevin: Nope.

Edward: If that’s your benchmark, if that’s your move from New York to Rhode Island, think right after that. Like within a couple of years maybe somebody was born, maybe somebody got married but something had to take place within that period of time.

Kevin: uh…

Edwards: I’m sure your family’s around you.

Kevin: Okay.

Edward got zero out of zero on that one.

It should be pointed out that Edward does not consider himself to be just a performer. He writes books that are supposedly non-fiction that purport to explain psychic powers and abilities to people. He maintains that he has real and true psychic abilities. Edward is not doing a magic show with “tricks” and with an audience prepared to be knowingly deceived, he actually claims to communicate with the dead.

Edward performs to sold old audiences and maintains a for pay website, JohnEdward.net. As DePetro says in his opening:

Go to his website. I don’t know where he gets any time off. John Edward.net. Communicate Appreciate, Validate. Then you look at some of the events. He’s going to be in Boston November 29th. Sold out. November 30th in Boston. Sold out. December 1st, New Brunswick New Jersey. Sold out.

DePetro doesn’t mention that tickets to the Edward events are $150 each. Edward has books on and off the New York Times bestsellers lists. He charges $800 for private consultations. he has a TV show. He makes a lot of money, maybe millions, claiming to connect gullible and bereaved people with their deceased loved ones.

It’s not like Edwards hasn’t been called on this. The Center for Inquiry reports on a Dateline: NBC episode where Edwards claimed to have gleaned psychically information he was known to have gotten through ordinary means. Reporter John Hockenberry interviewed Edward:

Hockenberry: So were you aware that his dad had died before you did his reading?

Edward: I think he-I think earlier in the-in the day, he had said something.

Hockenberry: It makes me feel like, you know, that that’s fairly significant. I mean, you knew that he had a dead relative and you knew it was the dad.

Edward: OK.

Hockenberry: So that’s not some energy coming through, that’s something you knew going in. You knew his name was Tony and you knew that his dad had died and you knew that he was in the room, right? That gets you…

Edward: That’s a whole lot of thinking you got me doing, then. Like I said, I react to what’s coming through, what I see, hear and feel. I interpret what I’m seeing hearing and feeling, and I define it. He raised his hand, it made sense for him. Great.

Hockenberry: But a cynic would look at that and go, ‘Hey,’ you know, ‘He knows it’s the cameraman, he knows it’s Dateline. You know, wouldn’t that be impressive if he can get the cameraman to cry?’

Edward: Absolutely not. Absolutely not. Not at all.

Reasonable people know that John Edward cannot actually talk to the dead. It is barely possible that Edward believes he does in fact possess such an ability, but far more likely that he knows that he cannot and that he is faking it. It is also barely possible that Edward rationalizes the massive amount of money he takes from gullible and desperate believers by believing that he provides some sort of comfort, however false, as well as entertainment. But it is also possible that Edward is knowingly taking money from people under false pretenses, and laughing all the way to the bank, building a fortune on the backs of people who have lost those they loved most.

As South Park put it, John Edwards is either a douche, or a stupid douche.

The same goes for John DePetro. As I pointed out, DePetro can hardly maintain the facade of being a good Catholic while at the same time extolling the virtues of Edward’s supposed psychic powers. Mediumship is anti-Catholic at best, and at worst it is considered Satanic.

DePetro does not stand to make millions by promoting Edward so fiercely, at best he’ll score a small ratings bump. Perhaps DePetro simply believes that Edward is a performer, providing comfort, false as it is, alongside a good dollop of entertainment. But DePetro knows that all or nearly all of Edward’s fans and followers really believe in his professed abilities, and presenting something false as truth is, to borrow from South Park, douchey.

If John Edward is, after all, the biggest douche in the universe, perhaps those like John DePetro who help sell and promote his deceptions, are angling to come in second.