Rainbow flag in CF: This never would’ve happened if Chuck Moreau was still mayor


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??????????Well, it’s hard to say for sure since we can neither read nor change the past. The disgraced former Mayor of Central Falls, who plead guilty to corruption charges in 2012, and one of the key factors in Central Falls declaring bankruptcy in 2011, might be in favor of having the rainbow flag fly over city hall.

But few residents really care what he thinks these days. The same is true for former Mayor Lazieh, who also “helped” the city along on its path to bankruptcy back in the 1990s, and who has tried to return to the post only to be defeated by James Diossa in 2012, and to the City Council in 2014 – again, defeated by voters presumably unwilling to make the same mistakes made in the past.

What does matter is that three years into his administration Diossa is continuing to bring his home town into the 21st century by celebrating Central Falls’ diversity across the board. And that includes recognizing the place that Central Falls’ gay residents have in this city that still defiantly calls itself “the city with a bright future.”

This is the second year that Diossa has raised the rainbow flag, the symbol of the LGBTQ community since the 1970s. He joins Providence Mayor Jorge Elorza who raised the flag on June 5 to kick off Rhode Island Pride season.

The group that gathered at this flag raising ceremony was small but inclusive – Hispanic, Anglo, African American, current and former residents – and all were openly delighted. There were also representatives from Senator Whitehouse’s office, as well as city officials and employees, and a representative from Governor Raimondo’s office.

This ceremony seemed particularly significant, held on the day before the Supreme Court ruled 5-4 in favor of marriage equality across the United States. In his remarks, Diossa talked about the importance of recognizing ALL residents of the city.

??????????“Our LGBTQ community deserves to be recognized with a symbol that is known and flown proudly all over the world,” he said. In speaking to me after the ceremony, he said “I really don’t understand what the big deal is.” For him, the “big deal” is the importance of people loving each other and that it be recognized socially and legally.

There are no statistics on how large the Central Falls gay population is. Doesn’t matter.

What’s important is that, in an age where marriage equality is law across the United States, and more and more Americans now support it, the small city of Central Falls is striking a solid blow that firmly asserts that diversity comes in all forms.

This is almost revolutionary in a city that was once a densely Catholic bastion of conservative social values and dominated by Anglo ethnic groups (French Canadian, Middle Eastern, Polish, and the like) that didn’t even welcome the “invasion” of Hispanics into “their” town.

Mayor Diossa is no stranger to embracing gay rights. In 2013 he joined several other Rhode Island mayors in supporting the legalization of gay marriage here. That support undoubtedly helped the bill pass and become law. Quoted in an article posted on the gay rights organization Human Rights Campaign website , he said “Marriage tells our communities that two people are uniquely committed to one another – that they are a family.”

What is interesting is that Central Falls is now predominantly Hispanic at 65.7%, an ethnic group not historically noted for its support of gay rights. That appears to be changing. A recent Pew Center study found that Hispanics have joined the ranks of supporters of marriage equality at 56%.

This is possibly the result of millennials (age 18-34) now being counted as a force to be reckoned with, likely undercutting traditional social conservative values of their elders. Or it’s possible that Hispanics, who are experiencing ethnic backlash in several states such as Arizona and Texas, even as their political clout has grown, realize it’s time to join with other minorities and support their battles.

An article on the Pew Center website discusses how Hispanic values are changing, thanks to fluctuating religious identities and experiences.

However, that doesn’t mean that Central Falls Hispanics would look kindly upon gay rights. Well aware that raising the flag might offend this predominantly Hispanic city, Diossa, who is of Colombian heritage, cares only that the city recognizes diversity, saying that Central Falls has always been a “gateway city,” where immigrants and minorities can create new lives, and that celebrating gay rights is simply one more way to celebrate the city’s residents.

He made a point of referencing opponents – “Despite the open and loving arms of Central Falls residents, there are still some who whose acceptance of our neighbors is limited.”

Some former and current residents are delighted. Central Falls native and current Riverside resident Ricky Gagnon was glad to hear about the flag raising, saying in a Facebook post “Very cool that my old hood is catching up to being trendy like me.” Central Falls resident Kelly F, declining to give her full name, was at the ceremony and thrilled to see it happen. She said, “This means that maybe my wife and I will finally be fully accepted in my hometown.”

Others of an older, predominantly Anglo, generation mourn the loss of morals in a city slipping out of their control. A woman who lives in one of the two public senior and disabled housing complexes was heard to say that this definitely would not have happened if Moreau or the former City Council was still around. Or any of the other perennial Central Falls politicos. Another called the whole affair “sick.”

It can’t be easy to be on the losing side of social progress, of course, or the wrong side of history. The sky is certainly falling for those who dig in their heels and cry for ‘the good old days’ when men were men, women knew their place, and gays were considered morally corrupt.

Those days are disappearing in the rear view mirror, and rainbows are the order of the day in Central Falls. And as a resident of this small but fierce urban survivor, I couldn’t be more proud.

Lin Collette is a Central Falls resident and a Progressive Charlestown contributor. Her original article appears HERE.

Mary Beth Meehan’s large scale photography exhibition in downtown Providence


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At the RISD Museum Thursday evening, I was pleased to hear Martha Rosler’s essay, “In, around, and afterthoughts (on documentary photography)” referenced during Mary Beth Meehan’s “Public Conversation.” Meehan explained the genesis of her current photography project: Eight large scale photographs attached to buildings throughout downtown Providence. The photographs have been selected from her Tumblr, Seen/Unseen.

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Fernando

These remarkable photographs of ordinary Providence residents demonstrate the beauty and diversity of the city’s residents. Created in conjunction with the 2015 Providence International Arts Festival, there is also a larger exhibition of her portraits at the Providence City Hall.

The banner concept was first explored by Meehan in Brockton, Massachusetts where 12 large scale banners were displayed in that city in 2012. According to Meehan, after the Brockton display was unveiled, AS220’s Bert Crenca asked Meehan why she wasn’t doing something like that in Providence. So here we are.

Meehan talked about confronting Rosler’s ideas during her brief talk at RISD. Rosler famously talked about the way documentary photography was exploitative of its subjects and of how it was not actually accomplishing its goal as an agent of social change because of its commodification as a consumer product. Rosler’s critique has long informed my own work, such as it is, and I attempt to answer Rosler by not commodifying my work through strict copyright enforcement (I use the Creative Commons copyright to “free up” my work for use by others), and by working to eliminate myself from my photographs as much as possible, in order to empower and amplify the voices of my subjects. It’s an ongoing process, and I realize that it is a difficult, if not impossible, goal.

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Marina

Meehan solves Rossler’s dilemma by collaborating closely with her subjects. Three influential photographers were cited during her presentation, Fazal Sheikh, Dawoud Bey and Wendy Ewald. All were known to spend time getting to know their subjects before taking their pictures, or to collaborate with their subjects in different ways. Through her style of collaboration, Meehan hopes to honor her subjects, rather than exploit them as subjects in a gallery. (For the opposite of this approach, check out the latest exhibition from the reprehensible Richard Price.)

Here’s Rossler, writing circa 1981. Her insights are still pertinent today:

…the higher the price that photography can command as a commodity in dealerships, the higher the status accorded to it in museums and galleries, the  greater will be the gap between that kind of documentary and another kind, a documentary incorporated into an explicit analysis of society and at least the beginning of a program for changing it. The liberal documentary, in which members of the ascendant classes are implored to have pity on and to rescue members of the oppressed, now belongs to the past. The documentary of the present, a shiver-provoking appreciation of alien vitality or a fragmented vision of psychological alienation in city and town, coexists with the germ of another documentary (a financially unloved but growing body of documentary works committed to the exposure of specific abuses caused by people’s jobs, by the financier’s growing hegemony over the cities, by racism, sexism and class oppression, works about militancy, about self-organization, or works meant to support them. Perhaps a radical documentary can be brought into existence. But the common acceptance of the idea that documentary precedes, supplants, transcends, or cures full, substantive social activism is an indicator that we do not yet have a real documentary.”

As you think on this, get out and go downtown this weekend to fully appreciate Mary Beth Meehan’s work, both outside on the streets of Providence and inside at the Providence City Hall. You won’t be disappointed.

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Thuan
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Patreon

Massive student support helps end RISD Tech strike


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RISD StrikeBefore the the student led march in support of the striking RISD Techs started, union president Tucker Houlihan was approached by RISD adminsitrators eager to negotiate a quick end to the strike that began Thursday.

“You sons of bitches are so powerful,” Houlihan said to the cheering crowd outside the RISD administrative offices downtown, “and there’s so many of you, that the administration wanted to talk, and not just talk this time, they wanted to negotiate.”

According to Houlihan, RISD signed a memorandum of agreement that maintains the tech union member’s 8 percent retirement contribution. “And they did this before you even arrived here. That is how powerful you are,” said Houlihan.

Hundreds of students and supporters marched down South Main St in support of the 44 unionized RISD Techs, members of NEARI Local 806. The crowd was so large that marchers completely encircled the administrative offices. Student Danica Mitchell was one of the organizers of the support march. Mitchell told the crowd that this effort was about more than the specifics of the demands of the striking workers.

“It’s more about promoting transparency in big institutions,” said Mitchell. She added that she hopes RISD will be more open in the future.

Today’s efforts mark a successful end to the strike. “When the technicians leave here,” said Houlihan, to the ecstatic crowd, “we’re going back to the studios that we love and they’re open!”

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Patreon

Photos from the RISD art studio technician strike


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RISD Strike
RISD Strike

Over twenty members of NEARI local 806 carried picket signs on North Main St early this morning before separating to cover the various studios that are spread over the RISD campus. The art studio technicians are officially on strike until “the administration returns to the negotiating table.”

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Patreon

RISD art studio technicians go on strike starting Thursday


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RISD technicians plan to put these signs to use at a strike on Thursday.

Rhode Island School of Design technicians – the school employees who facilitate and operate the various art studios on campus – are going on strike Thursday. Tucker Houlihan, president of NEARI local 806, said this will shutter the art studios to students.

“They are shutting down the kilns,” he said. “They won’t be laser cutting, they won’t be welding. Kids who had those classes, they won’t have it.”

RISD spokewoman Jaime Marland said, “Arrangements are being made to minimize the impact of such an action – in the event of a strike, some shops will be open.”

Houlihan says the 44 employees who run the various studios – there are about 16 different studios, he said, and listed as examples the glass studio, ceramics studio, metal studio and the woodworking studio – play a large role in RISD students’ education. “We’re the ones who have unlimited contact with students because we are in the studios all week,” he said.

Houlihan said the strike will last until the administration returns to the negotiating table.

The technicians and administration have been at odds over a new contract since May of 2014 and they have been working under the old contract since then. In October, the administration declared an impasse, Houlihan said. A mediator told the union to identify budget neutral contract changes.

In response, the union would like their contract to stipulate the pension contribution percentage technicians currently receive from the school. He said it is 8 percent and is spelled out in the faculty handbook but not the contract. The union feels it would be harder for RISD to cut that part of technicians salary if it was spelled out in the contract. Previously, technicians received a 10 percent pension contribution, but it had since been lowered to 8 percent.

Marland, the school spokeswoman, said “RISD has worked closely with the Technicians’ Association bargaining team since May 2014 to reach an agreement that provides the technicians with a competitive wage and benefits package while balancing the college’s critical need to keep the rate of tuition increases low. RISD’s offer to the technicians remains open and the college is hopeful that, if a strike occurs, it will conclude quickly.”

“We are not striking over monetary changes,” Houlihan said. “We’re simply trying to get them to come back to the table and negotiate in good faith.”

The Technicians Association has a Facebook page, a Twitter account and a website.

Langevin celebrates tax free art at Shady Lea Mill


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Rhode Island is the lowest tax state in the country … when it comes to art.

We’re the only state in the nation that exempts artistic creations from sales tax. Not unlike in 1996 when we became the first state in the nation to create local tax free art districts in Providence. As of December 1, products like paintings, prints, pictures, sculptures, self-published books, plays, movies and even dances can all be bought and sold anywhere in the Ocean State without the burden giving the government a cut. (And no, you can’t claim your investment fund or new swimming pool is a work of art; artists who want to qualify for the exemption need to apply with the state.)

While such businesses aren’t the type tax foes typically fight for, they are no doubt an important driver in the Ocean State’s economy. There are between 8,000 and 10,000 independent artists in Rhode Island, local arts organizations employ more than 5,000 people and arts related businesses employ 13,000 people in Rhode Island, according to this report commissioned by Senate President Teresa Paiva Weed. And the arts industry isn’t going anywhere; in fact the creative sector grew by 6 percent in 2012, following a seven year growth trend.

This weekend, Congressman Jim Langevin came to the 16th annual open studios weekend at the Shady Lea Mill in North Kingstown to see firsthand how this slice of the economy works.

From left to right: Tom Sgouros, Jim Langevin, Bob Plain. Kristen Howard, some guy from New York. (Photo by Seth Klaiman)
From left to right: Tom Sgouros, Jim Langevin, Bob Plain, Kristin Howard, some guy from New York. (Photo by Seth Klaiman)

“Small business is truly the foundation of the Rhode Island economy, and lifting the tax on products created by local artists is a boon for business and our state’s economy,” Langevin said. “I hope this boost will help arts-based businesses continue to thrive and grow in the Ocean State.”

The Shady Lea Mill is one of the great quirky and clandestine economic engines in the Ocean State. There are more than 40 artists, artisans, crafters and other various small businesses located in this old mill on the Mattatuxet River, just downstream of Silver Springs and upstream from Gilbert Stuart’s birthplace. As I told the Congressman this weekend, that’s got to be one of the densest clusters of economic development in South County!

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Lynn Reisert took over the Shady Lea Mill when her legendary dad, Andy, passed away in 2006.

An old-timer by the name of Ambrose Reisert manufactured staples here until Bostitch bought him out in the 1980’s. A few years later a local painter Luke Randall asked if he could set up a studio in the mill, and several other artists followed suit. Today, there are painters, woodworkers, glass blowers, guitar makers, t-shirt designers, soap makers and even an arborist who is starting a forest ecology school. Not to mention this blog!

Reisert had initially wanted to start an assisted living center in the mill, but zoning and the nearby wetlands wouldn’t allow for it. It could easily be argued that an artists colony is better for the economy than an old folks home, so take that those who say environmental regulations stifle business!

Read this recent Wall Street Journal article for more on why old mills are a key lynchpin in Rhode Island’s strategy to slash sales tax on art. Here’s the lede: “Rhode Island, aiming to build on the success of some of its old industrial towns that have reinvented themselves as artists’ enclaves, has become the first U.S. state to stop collecting sales tax on original and limited-edition art sold there.”

Perhaps the best-known small business in the Mill these days is The Shady Lea Guitar Company – where you can make your own acoustic guitar! Ironically, this business is owned by Dan Collins, brother of Lanevin’s one-time primary opponent Abel Collins. Only in RI…

Shady Lea Guitars makes custom string instruments right here in Rhode Island.
Shady Lea Guitars makes custom string instruments right here in Rhode Island.

Langevin also stopped by the RI Future newsroom and said he’d be glad to come back to join Mark Grey and I to record a podcast after the holidays. If and when anybody comes on the podcast, I’ll be happy to show you around the mill … where you can shop sales tax free!

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