Raptakis’ highway blocking bill mars MLK’s legacy


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mlkThe movie Selma with its vivid celebration of human courage and dignity, creates poignant and powerful imagery affirming the reason we conmemorate Dr. Martin Luther King, Jr. How gut-wrenching it was then, to see Dr. King’s holiday marred with a press release by Rhode Island Senator Leonidas Raptakis announcing proposed legislation to charge peaceful protestors, like those who marched along the Edmund Pettus Bridge, with felonies.

Anyone who has watched Henry Hampton’s Eyes on the Prize series, read books like J.L. Chestnut’s Black in Selma, or simply listened to their parents or grandparents tell it, knows that as powerful as the movie Selma was, it only depicts a small slice of the massive grassroots organizing work that went on in Alabama and throughout the Blackbelt. People met, planned, strategized, and analyzed. And people marched. 600 people marched on Bloody Sunday, and at least 25,000 in the final leg into Montgomery on March 24, 1965. Route 80 was merely the terrain in a people’s struggle for justice.

Fifty years later the marching continues so that Black lives will be treated as more than disposable by the system of policing in this country. While being stuck in traffic is a pain, how much greater is the pain of losing a loved one to police violence, and then seeing no repercussions whatsoever for his killer?

raptakisSenator Raptakis and other critics of protests that include blocking highways have suddenly become fervent advocates for smooth travel by emergency vehicles. Where is their concern when emergency vehicles are slowed to a crawl during sporting events, construction, or Waterfire? The response of this new cadre of traffic safety advocates is something to the effect of, “Yes, but people going to sporting events or boat shows aren’t blocking traffic on purpose,” as if thinking only of fun and games is somehow morally superior than using desperate means to draw attention to unchecked police racism and violence.

However in a string of cases dating back through the Civil Rights movement of the 1960’s, courts, even those in the Deep South, made it clear that “from time time out of mind … [s]uch use of the streets and public places has … been a part of the privileges, immunities, rights, and liberties of citizens.” In 1965, the U.S. District Court for the Northern District of Alabama addressed the issue of whether people could march along U.S. Highway 80 from Selma to Montgomery. Williams v.

Wallace, 240 F. Supp. 100 (N.D. AL 1965). Hardly a liberal institution, the court held, “it seems basic to our constitutional principles that the extent of the right to assemble, demonstrate and march peaceably along the highways and streets in an orderly manner should be commensurate with the enormity of the wrongs that are being protested and petitioned against.”

The rights protected in these court decisions belong to everyone; consider that disruptive, intentional protest up to and including blocking entrance ramps to Route 95 was part of a mainly white, middle class protest by Credit Union depositors in 1991, as recently reported by The Coalition talk

Fifty years after Bloody Sunday, people still march and sometimes block highways or shut down malls and train stations because Black lives do matter. And as Dr. King said, “Our lives begin to end the day we become silent about things that matter.” Yet Senator Raptakis would have us charged with felonies and jailed for up to five years for something that even courts in the segregated south in 1965 recognized as a fundamental constitutional right.

We hope he has a chance to see Selma.

This op/ed was co-signed by:

  • Shannah Kurland, Member, National Lawyers Guild, Rhode Island Chapter
  • Fred Ordoñez, Executive Director, Direct Action for Rights and Equality
  • Sarath Suong, Executive Director, Providence Youth Student Movement

‘Selma’ comes to Providence


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vote childrenIt’s 50 years since two game-changing acts of Congress, the Civil Rights Act of 1964 and the Voting Rights Act of 1965. Fifty years is not so long ago, especially when it’s still necessary to march in the streets to say that Black Lives Matter.

The movie, Selma, was years in the making and no one involved in this labor of love could anticipate its release in the wake of a series of shootings of Black men and women that expose a broken justice system and persistence of racism.

It was not easy to watch a recreation of what was a far from simpler time. The screening and discussion organized by The NAACP Providence Branch & the National Coalition of 100 Black Women was a welcome opportunity to watch it in good company.

First impression was that about 250 Rhode Islanders were up for coming to the Mall to watch a difficult film on a cold Saturday morning, including about 100 high school students. I worried we wouldn’t get a seat, but everyone did. It seems so wrong that when you buy a movie ticket now they show commercials on the big screen. We endured commercials and a preview of some comedy adventure full of explosions and shooting.

Selma has enough of that. After a quiet moment with Martin and Coretta King preparing for the Nobel Peace Prize ceremony the bombing of the 16th Street Baptist Church is mercilessly recreated. Denise McNair, Carole Robertson, Addie Mae Collins, Cynthia Wesley killed and many others injured and bereaved.

This is a kind of film violence that goes deeply against the grain of American culture. Unlike the guns and bombs in the previews and posters in the lobby, the guns in Selma shoot actors who play ordinary people, and the mourning of families, like the mother and grandfather of Jimmie Lee Jackson, is given full respect. When the actor playing James Reeb came on screen I felt pride and dread. Pride that a Unitarian minister was there on the front lines, and dread because I knew Rev. Reeb died in a vicious racist beating.

What was it all for? From the opening scene where Annie Lee Cooper is cheated and humiliated when she tries to register at the courthouse, to Martin Luther King and Lyndon Baines Johnson facing off in the Oval Office about whether Black America can wait any longer the right to vote is central. This is why the Civil Rights workers put their lives on the line on the Edmund Pettis Bridge.

After the film ended the audience sat through the credits and almost all stayed for the discussion. Some who spoke were veterans of the Civil Rights Movement. Amanda Milkovits covered it well in The Providence Journal. Like Rose Weaver said, “voting is everything.”

Selma shows just some of what it took to claim that right, and has a message when that right is again challenged.

Photo from ByTheirStrangeFruit via Google Images.