What teachers think: Tara Walsh


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Tara Walsh
Tara Walsh

Administrators have a unique vantage point to observe policy changes, and how they impact students and teachers alike. Tara Walsh, the dean of students at North Kingstown High School, has seen first hand how an emphasis on high stakes testing has changed the high school landscape.

“For sure policy changes dictate directly how we talk to students about this plans for their futures especially, now with high stakes testing here in Rhode Island,” Walsh said in an interview with RI Future.

Walsh now spend her days disciplining North Kingstown’s 9th and 11th graders, but she was once a special education teacher.

“I worked with students that are cognitively delayed, there’s educational gaps. Now that they have to meet a certain standard on a test, they can fall behind for various reasons – social/emotional, academic. They’re behind the 8 ball when they get to high school. They don’t have the foundation information for these high stakes tests and they’re at a disadvantage to the point where they may not graduate high school with a diploma.”

Walsh went onto explain the repercussions for students that do not achieve proficiency the first time around. She said, “If you don’t achieve proficiency on your NECAP, you have to go into remediation after your junior year so it could ultimately affect classes they could take – like electives — because they have to take remediation to show growth in their testing.”

Testing isn’t the only thing limiting the options available to the students of North Kingstown – another being budget limitations. “When budgets are set, positions are redistributed,” she said, going on to describe the subsequent of the shift away from elective classes towards core academic classes.

She went onto express concern for students that aren’t on the “traditional” track.

“We’ve cut a lot of resources for children who don’t necessarily learn in a four wall academic building, we don’t have a strong vocational program and I feel there’s a detriment to students who aren’t college bound students,” she said. “We need to help provide them with an education that will help them down the road.”

See the previous posts in this series here:

Susan Weigand

Jen Saarinen

What do teachers think: Susan Weigand


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Susan Weigund
Susan Weigand

Susan Weigand, 2nd grade teacher at Hugh Cole Elementary School in Bristol-Warren, punctuates nearly every sentence with “I could go-on about my students all day.” Her dedication to her young students was evident throughout her sit down with RI Future.

“Where is the safety net for the children that come to kindergarten ill prepared for what they have to do,” she said. (Read the first part of this three-part series here on Jen Saarinen)

But there was a stark contrast between her excitement for her students recent policy changes. She said that changes in policy and budget have affected her teaching style and her students.

“Work I’m asking students to do is significantly more challenging,” she said. “In that comes the question of whether or not it’s developmentally appropriate. There are several situations where it’s not, I’m being told to ask my students things beyond what they’re capable of doing.”

Weigand said that budgets for teachers aren’t what they once were either. There was a time where teachers could buy supplies that weren’t provided for them by the district. Those times are long gone.

“We don’t really get a budget,” Weigand said. “The district provides us with certain supplies but there’s no discretionary fund for teachers to buy things for their classroom. When I was first hired in this district 16 or 17 years ago, we had a budget to go purchasing for our classroom.”

Budget cuts affect those on the elementary school level differently than others. Weigand explained the uniqueness of the situation. “The difference is we teach everything and we teach multiple levels, so if I’m doing science activity about states of matter I have to have different levels of books because each of my kids are at different levels –well my district doesn’t provide that.”

During her time as a teacher, Weigand has noticed major changes within her field. The greatest change she has seen is the shift away from viewing students as young adults.

“We have somehow forgotten that these are small children sitting in our rooms,” she said. “I think we have forgotten these are little people – 6, 7, 8 – we very much have forgotten these are little kids and we treat them like tiny adults. Where does that creative thinking of being able to come up with the answers themselves come into play?”

What do teachers think: Jen Saarinen of Warren


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Jen Saarinen

Jen Saarinen was thrust into a changing, tumultuous profession when she started teaching ten years ago.

“When I graduated from college, No Child Left Behind was just getting underway,” she said.

Saarinen is a math teacher at Kickemuit Middle School in Warren, and she spoke to RI Future about the many changes that she and her students have been inundated with over the past ten years.

“The major changes that have resulted in the classroom as a result of the state standardized tests have been more testing situations that our students are forced to go through,” she said. “We now track our students three times per year using NWEA for progress in addition to completing a “Common Assessment” per core subject at the end of each quarter.”

She voiced her concern by saying “The number of days that are spent on these tests, not to mention NECAP soon to be PARCC, we don’t truly have a full year to instruct the students to make this progress!”

While she does has her qualms about the proliferation of testing, Saarinen believes that some policy changes are a step in the right direction. One of these was the implementation of an evaluation model for teachers. “I do believe that there was a need to have an evaluation model for educators, however I do not feel that the one that Rhode Island is using is the most effective evaluation model,” said Saarinen. She went onto say, “Compound the demands of the educator evaluation and the assessments, many teachers are no longer in love with their profession.”

Some teachers have fallen out of love with their profession, and Saarinen has noticed a similar phenomenon in students. “I feel that my students don’t have the love of learning that they once had. I can’t imagine that the amount of testing/pre-testing/re-testing plays into this. Teachers have made jokes about their school name being changed to a ‘testing center.'”

Rhythm and Roots returns to Ninigret Park


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For the 16th year in a row, the Rhythm and Roots Festival will return to Ninigret Park for Labor Day Weekend. According to the festival’s website festival goers have the opportunity to enjoy “Cajun, Zydeco, Tex-Mex, Blues, Bluegrass, Vintage Rock and other forms of roots music.”  Among the musical acts performing are Cedric Watson et Bijou Creole, Jim Kweskin, Taj Mahal Trio, Carolina Chocolate Drops, as well as many others.

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Photos from 2012 Rhythm and Roots Festival

In addition to the music, there are two dance tents where attendees can dance the night away and participate in Zydeco and swing lessons. The festivities begin for those that are camping at the festival at 9 AM on August 30th and at 3 PM for regular ticket holders. Tickets for the festival can be purchased here.

Election gloves and Matunuck sinking: local art at RISD Museum


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For the first time in more than 20 years, the Rhode Island School of Design Museum is showcasing Ocean State talent in an exhibit called “Locally Made.” According to the museum’s website, the exhibit is “celebrating the rich and diverse talent in the city and nearby communities.” The upper gallery is filled with locally made pieces, while the lower gallery has live demonstrations and lectures.

One of the artists being featured in this exhibition is Allison Bianco, a Providence native. Her piece, The Sinking of Matunuck, is a panoramic view of the area of Matunuck.

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The Sinking of Matunuck by Allison Bianco

“My goal as an artist is to create images that connect specific history and collective memories, and my works often include iconography specific to Rhode Island.”

She said the Rhode Island-only show “elevates the term ‘local art’ to an important visual history of our state and provides meaningful examples of the artistic profession happening in Rhode Island.”

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The Election Gloves by Jessica Rosner

Another artist’s politically driven artwork was commissioned specifically for Locally Made. Jessica Rosner’s piece, The Election Gloves, is a diary-style account of the 2012 presidential election written upon rubber gloves.

“I followed the election obsessively for the year preceding election day, keeping a diary of important ups and downs in politics, as well as in my own life. The gloves reflect the responsibilities, deadlines, and minutiae of all our lives, while big stories happen around us.”

In the close up below, the last glove in the series reads, “Obama won. Now I can go back to worrying about my mom, my work, my lack of income. Am cool with that.”

Close up of the Election Gloves by Jessica Rosner
Close up of the Election Gloves by Jessica Rosner

Rosner went onto say that she is honored to have been a part of such a unique exhibition and that it gave her a chance to get to know other artists living in the state.

Both Rosner and Bianco’s pieces, as well as many others, can be viewed in the Locally Made exhibit until November 3rd.

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Saturdays at the Pawtuxet Farmers’ Market


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OLYMPUS DIGITAL CAMERAFarmers Markets are becoming a more integral part of communities all over Rhode Island, especially at the Pawtuxet Village Market in Cranston, Rhode Island.

Every Saturday morning from 9:00-12:00 farmers from all over the state gather in the Rhodes on the Pawtuxet Parking Lot to sell their goods to the locals that frequent the market. Patrons can buy anything from heirloom tomatoes to wild flowers or even fresh fish.

The Local Catch is one of the many stands that can be found at the Pawtuxet Farmers Market. Based in Narragansett, The Local Catch is run by Richard and Ann Cook. “We’ve been coming to this farmers market for two years,” said Mike Grattan, who was manning the stand on this particular morning.

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Mike Grattan, The Local Catch

“We’re about ten feet from the water so it’s always fresh.” The stand offers anything from haddock to halibut; the quality of the fish was backed by each customer that came to get some of this week’s catch. “It’s very fresh! I come every week,” one woman very eagerly told me as she handpicked her pieces of haddock.

Blue Skys Farm is arguably one of the most popular stands each week at the market, offering beautiful flowers and vegetables grown on the two acre farm in Cranston run by Christina Dedora.

“Farmers Markets make up about 75% of our business,” Dedora said. “The people here are special, they’re very loyal and tend to buy a little from each stand.”

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Christina Dedora, Blue Skys Farm

As Dedora told me about the loving, family atmosphere that had welcomed her for years, a woman approached us and, gesturing towards the little girl she was holding, said “Every Saturday morning she asks, ‘Are we seeing Christina?!” At this, Dedora was brought to tears, again repeating the sentiment that the family atmosphere is what keeps her and her goods coming back.

This overall impression was echoed by Bernard Bieder, who runs Bernie B’s Bees, based in Warwick. Bieder’s stand offers jars of honey as well as beeswax candles and sticks of honey for children and adults alike to enjoy. “I’ve been coming here for 9 or 10 years, I’ve had opportunities to go to bigger markets before but it’s a real family affair here.” As I watched Mr. Bieder do his business I couldn’t help but notice how many free honey sticks he was giving out to the children that came to his stand.

“When a little girl comes up to me with a quarter wanting a honey stick, I ask her if she’s been good (they always say yes) and always give her an extra. Ask my wife, I give out more than I make!” Bieder shared with me that he turned 90 recently. “All of the other vendors made me a cake and signed a big card. We’re a family.”

Saturday mornings at Rhodes on the Pawtuxet are filled with family and fresh, local goods from vendors that think highly of their loyal patrons. Attending the Pawtuxet Farmers Market is not only a family affair, but also a great way to support local farmers and vendors from all over the state.

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Wooly Fair this weekend


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imagesThe Wooly Fair has been a local institution since 2005 and – now bigger and better – will be held at the Steel Yard in Providence, RI, August 16 – 18.

The pop-up, participatory arts carnival is a themed event that features  do-it-yourself arts created by local artists, activists and professionals. The theme of this year’s fair is “Off the Grid and On the Lamb,” focusing on human-generated electricity.

Attendees are encouraged to come in costume and to come baring their own pieces of art and inventions. Live acts such as Ex Reverie, Marvelous Marv, and many others will be entertaining the crowd that is expected to exceed past years. Food and games, including a tricycle race, encourage fair-goes to not only attend the event but participate and be a part of the unique environment. A family-friendly affair by day, “grown-up revelry” by night.

Tickets for the event are here.

Providence Poetry Slam team goes to the Nationals


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slam poetry copySlam poetry, when artists share spoken word with an audience of judges in competition with their peers, is popular all over the country and Providence is one of the most well-known names in the national scene.

Every other Thursday, AS220 holds “Free Speech Thursdays” where brave souls can share their poetry and hopefully qualify for the Providence Slam Poetry Team.

This week, the local team heads to the National Poetry Slam in Boston.

For those unfamiliar with the idea of a poetry slam, this is how it works: A slam consists of 3 rounds. Each poet gets one shot per round with 3 minutes per poem. Five audience members are chosen at random before the slam begins as judges and rate each poem from 1-10 with one decimal point.

Last week, Providence invited the teams from Worcester and Portland, Maine to take part in a “Decathlon Slam” to let off some steam before they reach the national stage.  The ten rounds of this slam ranged anywhere from love poems, poems based upon headlines from that day’s newspaper, and even “Conservative Haikus.” The last time Nationals were in Boston, Providence was the only New England team to make it to the final stage.

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Megan Thoma

“This year’s team is a very ‘Providence’ team,” said Megan Thoma, the current Slam Master of Providence team. “A lot of members have grown up and live here. It’s a very diverse team with different voices, ages, races and genders. A lot of teams are all in their twenties but ours has a lot of age variation.”

Jared Paul is a nationally celebrated performance poet whose art is deeply rooted in politics and activism. He was one of the independent journalists that was arrested at the Republican National Convention in 2008 and is an active supporter of animal rights, environmental, and social justice activism.

“For me,” said Paul, “the political reality of what’s happening around me is an inseparable part of my life, outlook, goals, and artistic choices.  Everything is political in one way or another. People have been using the oral tradition to organize, create dialogue, and spread political ideas since the very beginning of human interaction.”

Paul’s link to the poetry community in Providence is a strong one that goes back quite a few years. He became involved in the world of spoken word poetry when he was a student at URI and has never turned back. He was a member of the Providence Team from 2000 to 2007, making it as far as the Finals Stage at the Individual World Poetry Slam in 2006 and 2007 representing Providence. Perhaps the most notable impact Paul has made upon the Providence community was by founding the Providence Youth Slam, a team that he coached from 2002 through 2008, during which time they made it to the Finals stage in 2003, 2005, and 2006.

“I believed in the modern performance poetry movement with all my heart— as a means of artistic and political expression, catharsis, self identification/discovery, community discourse, etc.  There was nothing like that in my high school or my town growing up, but I would’ve been all about it if there were!  So many youth were at AS220 all the time.  The interest was there and I knew it would take off.  All we had to do was put the word and engage the community, and it took off.”

He added, “Everyone is an artist. If you have stories that you love, or that are screaming inside your chest, eager to claw their way out, then write them!  And after you write them, come on down to Providence Slam (or any open mic) and share them!”

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Devin Samuels

One of these individuals that found himself drawn into the community that Paul had created and fostered was Devin Samuels, a Cranston native for whom poetry is a passion. Prior to joining the community, “I was kid who kind of liked to do poetry and became a poet – something that defines me. I’m surrounded by people my age who are absurdly talented and love to do what I do.”

Samuels was on the Providence Youth Team in 2009 and 2011, and this year marks his first year as a member of the adult team.

“There needs to be a tension between the respect for art and healthy sharing versus the nastiness of competition,” he said. “Providence doesn’t forsake art for the judges; it’s a safe, wholesome scene. Everyone is here for art – it’s genuine.”

For poetry enthusiasts nationwide Providence is a well-known name, the birthplace of the careers of renowned poets such as Sarah Kaye, Phillip Kay, Taylor Mali, Sage Francis and – of course – Jared Paul.

But the majority of the local population has no idea that the seemingly small community has such a national presence.  According to Samuels, “Providence is not a small fish. We may not be a well known here, but nationally we are known and respected as a force.”

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Local metal talent meets at KarmaKon 2013


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metal concertMetal music is a genre that is very rarely associated with the political world.

According to , political disapproval towards metal music and similar genres is universal. For the far left the disapproval lies in the culture surrounding the genre’s failure to engage in “meaningful political rhetoric.” This was proven entirely wrong at KarmaKon 2013, which was held this past Saturday at Simon’s 667 in Providence.

The all-day music event was put on by Rambudikon Productions and Rock Karma Promotions and was made up of bands that have become staples in the local hard rock and metal scene over the years. With Sinclair’s speculations in mind I entered the dark, bar like venue curious to see if the generalization was true here in Rhode Island.

Headlining the show was the band Trophy Wives, Karmakon serving as the release show for their EP, “One Way Trip to Mars.” I started my search for any inkling of a political voice with the lead singer of thefive person band, Patrick Crowley (no relation to Pat Crowley, of the NEARI).  When I asked if social or political atmosphere impacted their music, Crowley responded that

“There’s not many political issues in our music, but I would definitely consider us a well educated band. We would love to do a political style of music but it’s very hard to write.”

The desire to pay homage to the resistance music of the late 60’s was a common theme amongst the musicians at KarmaKon.  Two members of the band Sienna performed an acoustic set, a beautifully melodic interjection amongst the screams and electric guitar riffs.

Alex Beattie, Sienna’s guitarist, is a political science major who had a lot to say about the state of music education is Rhode Island. “It’s so important for kids to participate in music when they’re growing up, with out it it’s like a part of their brain is missing.”

Lead singer, Viana Newton, agreed. She could serve as a poster child to the importance of a music education. A self-proclaimed “choir girl” and All-State Choir alumna from Coventry is now a rock-songstress who lights up the stage and has become well-known to those who frequent local shows.

While none of their catchy songs (“pop-rock with some spice,” as Alex put it) had any blatant political commentary, by talking to the pair it became very clear that the band is very passionate and socially aware.

Sideshow is another band that has been frequenting the local music scene for quite a few years now.  I asked their lead singer, Dan Schmiedel, if social or political issues impact their impressive repertoire and his answer gave a lot of insight into the general outlook of the local scene towards the social and political atmosphere in which they operate.

“I wouldn’t consider us a very political band but most of our lyrics are very introspective, or how you view a situation or experience. In itself I think that can be considered a social commentary.”

He said the local music scene was “close knit, like a family. It’s a small state that brings many genres and subgenres represented. It’s close but expansive at the same time.”

Each musician I spoke to described the scene as a very tolerant and diverse. People ranged from twenty-something with tattoos and piercings to middle-aged with shirts that would now politely be referred to as things like “retro” and “vintage.” Overall, I can see how the genre and its subgenre’s that were being celebrated at KarmaKon could be viewed as void of political voice; I didn’t hear any lyrics about the economy or “sticking it to the man,” not did I hear the audience having any politically fueled discussions. I did however come to the conclusion that these are not politically uneducated people, they just choose to express themselves through subtlety rather than blatant social commentaries.