Video of Warwick rally for Verizon workers


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Sunday was a somewhat rainy day but the spirit of solidarity was not dampened as family members and supporters, including General Assembly member Aaron Regunberg and local candidate Jeremy Rix. Noisemakers and even a few costumes were to be found as there was a great deal of spirit within the crowd.

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If you like my reporting,please consider contributing to my Patreon!

Justin Katz, Joe McNamara, and all this Gaspee chatter


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mcnamaraWhat do Democratic Party Chair Joe McNamara, Justin Katz, the burning of the HMS Gaspee, and a concentration camp have in common? Quite a good deal!

There is a bit of a schoolyard tiff being had out in public today between Joe and Justin where they are trying to see who can be the most bloviating about colonial history in Rhode Island. Joe is having a fit because some outfit called the Gaspee Project is doing typical right wing think tank nonsense and Justin is posturing and preening about how this is all within the heritage of the Gaspee.

Joe is very involved with the annual Gaspee Days celebrations of these events, including marching in the parade every year. He is very dedicated to this image of civic engagement and the role the Gaspee plays in that image, ergo the use of that historical incident to go after him and/or his colleagues is a huge taboo.

As someone who spent five years researching every aspect of the Gaspee incident, I find this spectacle patently offensive and white supremacist, not to mention banal as all hell after communing with the soul of Hannah Arendt.

An advertisement for a runaway slave in the predecessor of the ProJo.
An advertisement for a runaway slave in the predecessor of the ProJo.

In 2010, with the help of Drs. Richard and Carolyn Fluehr-Lobban and Ray Rickman, I decided to make a film about the Gaspee and what really happened.

The Gaspee was a revolt by American colonists against English efforts to abolish slavery, plain and simple. The English Parliament had begun to levy a series of taxes on slave trade-related commodities, including rum, molasses, and sugar cane, and slave traders like Moses and John Brown did not like that. As such, they decided to launch a nighttime citizens militia attack against a government tax enforcement agency, the HMS Gaspee. Whereas Joe and thinkers like him look at the Gaspee and think red, white, and blue, I see the same iconography and think of Auschwitz.

The fact that Justin Katz, whose political movement to criminalize abortion uses American abolitionists as a rhetorical device sometimes, does not know this basic element of the history of the abolitionist movement in Rhode Island indicates just how preposterous such analogues truly are. The fact McNamara consistently calls the Gaspee raiders, who were engaging in a vanguard attack on behalf of the Triangle Trade genocide against Africans, patriots and heroes is indicative of what Frantz Fanon described as cognitive dissonance.

130808b Frantz Fanon

On behalf of this cognitive dissonance, in November 2014 Joe premiered a documentary created with the Gaspee Days Committee about the Gaspee, produced after he had seen my film about this topic, AARON BRIGGS AND THE HMS GASPEE, that totally leaves out the fact this whole incident was all about the enslavement of human beings and treating African people as if they were lower than pig droppings.

So, in closing, I hope we all learned something.

I hope Katz has learned to stop giving praise to slave traders and actually do some basic historical research that goes beyond the tawdry material offered by the Gaspee Days website. But then again, looking at the Gaspee Project’s website and ideology, perhaps he is actually correct, their mission is pretty much in line with the ideology of John Brown.

I hope the general readership has learned that, when the Tea Party does it over taxes that can unfairly target working class people while giving freebies to the rich, Joe and his fellow Democrats call it extremism, but when rich white men who trade in human slaves do it, they are “patriots”.

And I hope we all have understood that part of getting rid of white supremacy is beyond going after random personalities who say boo about people of color and gets into toppling structures such as our Disney-fied colonial history to show the ugly, racist, despicable nature of it all.

This country was founded on two genocides that are inter-connected. The first was the extermination of the Native Americans, begun here in Rhode Island when Roger Williams sold captives taken from the Pequot War out of Boston to Bermuda, which proves that his glory as some kind of freedom fighter is white supremacist garbage.

The second was the genocide against Africa, which was enacted because the refugees from the Pequot War escaped inland and told their fellows to migrate West to escape the wrath and wickedness of the white man. That migration reduced the number of Natives the colonists could enslave, therefore they looked across the Atlantic to the Gold Coast for a fresh supply of human beings.

The Gaspee incident was our Warsaw ghetto uprising. Aaron Briggs, who I profile in my documentary, was the Afro-Indian youth who tried to rebel against the slavery system by trying to testify against the Gaspee raiders in the trial the British set up to figure out what happened.

And the Gaspee raiders were the Nazis who suppressed the uprising and continued the murder.

Some would perhaps say that using an analogue between the Shoah and American slavery is problematic for any number of reasons. Ah, but here’s the rub, Adolf Hitler said in Mein Kampf that his plans for the Final Solution were modeled on the American treatment of people of color.

Those who are curious about further elements of this story can find a good deal of scholarship in Dr. Gerald Horne’s excellent monograph The Counter-Revolution of 1776: Slave Resistance and the Origins of the United States of America or my film AARON BRIGGS AND THE HMS GASPEE.

If you like my reporting,please consider contributing to my Patreon!
If you like my reporting,please consider contributing to my Patreon!

Rhode Islander Roz Raskin on her recent tour with the Rice Cakes


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roz
Kendra Rose Photography

Roz and the Rice Cakes is one of the major up-and-coming bands in the Rhode Island music scene of the past decade. Their plaudits include voted BEST LOCAL BAND by the Providence Phoenix Best of 2010 Reader’s Poll, they were winners of the 2012 WBRU Rock Hunt, winners of Best Female Vocalist by Motif Magazine 2012, and were nominated for Providence Phoenix 2012 Best Local Act and Best Female Vocalist.

Composed of keyboardist and vocalist Roz Raskin, bassist Justin Foster, and drummer Casey Belisle, they have a sound that is reminiscent in some ways of the early days of No Doubt, specifically the period when Eric Stefani was still in the band and his younger sister was not the absolute center of attention. But it also has elements not unlike some of the more fluid periods of Dave Matthews Band, a much smoother sound. They write as an artistic statement:

We come together to bring forth new, genre-blasting, rhythmically charged melodies, sounding somewhat like the apocalypse…but having the most fun anyone could ever have doing it. We are constantly manifesting new ideas not only musically, but thinking of ways to engage our awesome listeners.

Raskin recently was nice enough to answer some questions for me regarding their recent national tour. We talked about the open road, events in the news cycle, and plans for the summer.

What was the most interesting part of your tour?
There are a lot of interesting aspects of tour. Meeting new people and bands, seeing old friends, exploring new cities. Every city has a unique music community and each night of tour we get to see a little bit of what music scene is like there first hand.

Any new ideas in terms of where you want to go lyrically or musically come out of visiting different parts of the country?
I think I’m probably way more influenced by the music around me than I even know. There are some truly amazing bands hustling right now, it’s really a great time for the arts in general. People like to say “everything has been done” but I’m not too sure about that.

Do you have any stories of a venue that really impacted how you thought about the rest of the tour, be it funny, moving, or even boring?
I’m very lucky and privileged to say that I have had many great experiences at venues and DIY spaces while touring. One in particular is from this past tour. We played at a venue called Tubecats in Hadley, MA. The space is run by a wonderful person named Van Kolodin who is in a band called WYDEYED. During WYDEYED’s set, they stopped half way through and Van gave a rad speech about how important safe spaces are and how it’s essential for showgoers to look out for each other at shows. If you see something say something kind of thing. I think it’s really progressive and important to combat issues of injustice head on and it was really inspiring to hear that kind of thing at a basement show which in the past had been a typically white male dominated space.

What are your plans in this coming summer regarding performance and recording?
This summer Roz and the Rice Cakes are taking a bit of a show hiatus to write and record a new record. I’ll also we writing and recording my solo music and with my new band HOTT BOYZ (featuring Sarah Greenwell of GYMSHORTS, Kate Jones of the Sugar Honey Iced Tea, and Dylan Block-Harley of Horse-Eyed Men). Definitely excited to have some time to really think and write about this past year of my life and take it what is happening in the world today.

Some of the really classic albums and musicians in American history have come out of periods of political and social excitement, be it Pete Seeger and Woodie Guthrie during the Great Depression or Bob Dylan and Joan Baez during the 1960s. It seems quite obvious that America over the past 5+ years has been in such a period of social unrest. Did you see anything on the road that indicates we could see artists such as the aforementioned ones emerging soon with some really populist protest music? Do you think Providence could be a place to keep an ear out for such music?
I think more so than ever before, my music has personally become very much connected to socio political movements. A lot of the lyrics I have written in the past year or so have explored ideas of the “other”. I also think that the social unrest you speak of has definitely manifested itself in music, DIY, culture. Art and music always reflects the times. I think one of the more positive recent themes I’m seeing is the idea making spaces safe and inclusive. Folks are sick of feeling unsafe, disrespected, and marginalized at shows and there is a very real effort combat that prejudice and discrimination.

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